Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Anirban K. Baishya"'
Autor:
Anirban K. Baishya
Publikováno v:
Communication and Critical/Cultural Studies. 19:289-309
Publikováno v:
Porn Studies. 9:263-272
Autor:
Darshana S. Mini, Anirban K. Baishya
Publikováno v:
Porn Studies. 9:384-399
Autor:
Anirban K. Baishya
Publikováno v:
BioScope: South Asian Screen Studies. 13:24-32
When the COVID-19 pandemic broke out in 2020, countries around the world began enacting lockdown measures and enforcing social distancing rules. Almost at the same time, the use of drones also began to see a spike, especially in the hands of civilian
Autor:
Anirban K. Baishya
Publikováno v:
Communication, Culture and Critique. 14:497-506
While memes evoke the idea of image (and text) based digital artifacts, memes are not merely visual or textual. Focusing on the demonetization drive undertaken by the BJP-led government in India in 2016, this forum piece makes the case for memes as a
Autor:
Anirban K. Baishya
Publikováno v:
Transnational Screens. 12:169-177
Autor:
Anirban K. Baishya
Publikováno v:
Media, Culture & Society. 43:1113-1135
With the rise of internet-based digital participatory cultures in India, social networks have become sites of volatile political discourse. As in other countries such as Brazil, China and Russia, this has led to the concurrent eruption of memes in In
Publikováno v:
Porn Studies. 7:2-12
Why compile a special issue of Porn Studies on South Asia? What, indeed, can be gained from looking at pornographic cultures and conventions through a regional lens? Does invoking South Asia in thi...
Publikováno v:
Porn Studies. 7:115-131
While India is no stranger to titillating imagery, its pornographic circuits remain underground due to stringent laws. The emergence of Indian pornographic comics under the aegis of the adult enter...
Autor:
Frank Krutnik, Patrick Brian Smith, Adam Herron, Emre Çağlayan, Anirban K. Baishya, Martin R. Hall, Nick Poulakis, Lydia Mae Brammer, Haim Bresheeth, Adelaide McGinity-Peebles, Nick Jones, Özgür Çiçek, Jack Booth, Geraint D'Arcy, Richard Paterson
Publikováno v:
Film Studies. 20:54-101