Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Andrew Weiner"'
Autor:
Mary Ellen Carroll, Noah Fischer, Mabel O. Wilson, Cameron Rowland, Renée Green, An-My Lê, Ruth B. Phillips, Cassils, Tania Bruguera, Paul Chan, Noel W. Anderson, Benjamin Kunkel, Eric Foner, Naeem Mohaiemen, Sarah E. Lewis, Finbarr Barry Flood, Thomas Hirschhorn, Kirk Savage, Michael Diers, Martino Stierli, Coco Fusco, Andrew Weiner, John Lansdowne, Dell Upton, James Benning, Sharon Hayes, Maya Nadkarni, Thomas J. Lax, Rachel Kushner, Jessica Winegar, Alex Lichtenstein, Hari Kunzru, Gregory Sholette, Irene V. Small, Joanna Fiduccia, Lucia Allais, Achille Mbembe, Sam Durant, Steven Nelson, Andreas Huyssen, Andrew G. Cole, Chris Reitz, Rachel Harrison, Silvia Kolbowski, Andrew Lichtenstein, Greil Marcus, Tavia Nyong'o, Robert Slifkin, Jason E. Smith, Sarah Nuttall, Tom Burr
Publikováno v:
October. 165:3-177
“A Questionnaire on Monuments” features 49 responses to questions formulated by Leah Dickerman, Hal Foster, David Joselit, and Carrie Lambert-Beatty: “From Charlottesville to Cape Town, there have been struggles over monuments and other markers
Autor:
Andrew Weiner
One beautiful autumn day, Art sets out with his mother and grandfather for a fishing trip. Fishing days are Art's favorite. He loves learning the ropes from Grandpa—the different kinds of flies and tackle and the trout that frequent their favorite
Autor:
Andrew Weiner
Publikováno v:
ARTMargins. 4:81-102
This essay critically examines the exhibition Leben mit Pop: Eine Reproduktion des Kapitalistischen Realismus, which was first staged in 2013 at the Kunsthalle Düsseldorf. This exhibition surveyed the emergence of Capitalist Realism as a regional fo
Autor:
Andrew Weiner
Publikováno v:
PAJ: A Journal of Performance and Art. 37:50-57
Autor:
Andrew Weiner
Publikováno v:
Afterall: A Journal of Art, Context and Enquiry. 40:90-101
Andrew Stefan Weiner looks to recent artistic practices as a way to navigate the complex histories of pan-Arabism.
Autor:
Andrew Weiner
Publikováno v:
Afterall: A Journal of Art, Context and Enquiry. 32:94-105
Andrew Stefan Weiner gauges contemporary photography's capacity to react to the Great Recession.
Autor:
Andrew Weiner
Publikováno v:
Afterall: A Journal of Art, Context and Enquiry. 26:79-87
Autor:
Andrew Weiner
Publikováno v:
Qui Parle. 16:133-145
Autor:
Andrew Weiner
Publikováno v:
Afterimage. 37:27-29
What might it mean for artists lo claim historical modernisms as source material or as a field for research? If the conspicuous increase in such "sub-modernist" practices marks a shift in the protocols of appropriation, it also reads as an involution