Zobrazeno 1 - 10
of 24
pro vyhledávání: '"Andrew Wasserman"'
Autor:
Andrew Wasserman
Publikováno v:
Panorama, Vol 5, Iss 2 (2019)
Externí odkaz:
https://doaj.org/article/57dae88176484783b412de4b15d188ac
Autor:
Andrew Wasserman
Publikováno v:
Panorama, Vol 4, Iss 2 (2018)
Externí odkaz:
https://doaj.org/article/c06b500708fd4039aceabff6b1dcc6dd
Autor:
Andrew Wasserman
Publikováno v:
The Art Bulletin. 104:95-119
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c846512c84f6af25dc50c69b02ffb493
https://doi.org/10.1080/00043079.2022.2070398
https://doi.org/10.1080/00043079.2022.2070398
Autor:
Andrew Wasserman
Publikováno v:
Public Art Dialogue. 10:266-270
Writing a review at the end of May 2020, as the nation burns down in ways both literal and metaphoric, feels trivial. Catalogs documenting exhibitions from 2017 feel like artifacts from a generatio...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2a88436eb85f8de2f6d212102518b731
https://doi.org/10.1080/21502552.2020.1794487
https://doi.org/10.1080/21502552.2020.1794487
Autor:
Andrew Wasserman
Publikováno v:
Archives of American Art Journal. 59:62-81
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4fe0faccfa34eafdaeb24dc5c8e51371
https://doi.org/10.1086/709262
https://doi.org/10.1086/709262
Autor:
Andrew Wasserman
Publikováno v:
Art Journal. 79:74-89
Lee Waisler, Bomb Cage, 1981, hexagonal wood cage and disarmed World War II bombs (artwork © Lee Waisler; photograph provided by Archives of American Art)Press conference with sculpture unveiling f...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d6be78a7bea910c74ca67aff8869dbd7
https://doi.org/10.1080/00043249.2020.1724034
https://doi.org/10.1080/00043249.2020.1724034
Autor:
Andrew Wasserman
Publikováno v:
Public Art Dialogue. 10:41-63
In the opening paragraphs of his “Times Square Blue” essay, Samuel R. Delany references a public art exhibition. Written in 1996 and published in 1999 with the pendant “…Three, Two, One, Contact: T...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::837688243574b0e14117d391b1627fad
https://doi.org/10.1080/21502552.2020.1715182
https://doi.org/10.1080/21502552.2020.1715182
Autor:
Andrew Wasserman
Andrew Wasserman’s chapter examines how Kenny Scharf revisited mid-Cold War fantasies of nuclear energy, nuclear weaponry, and space travel as usable content for coping with late-Cold War fears in American cities. Wasserman focuses on the early-nin
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5fd8cdac95774f8b0be9d4d31c8558e5
https://doi.org/10.14325/mississippi/9781496836625.003.0009
https://doi.org/10.14325/mississippi/9781496836625.003.0009
Autor:
Andrew Wasserman
Publikováno v:
American Art. 32:74-87
The removal and destruction of Angelo di Benedetto’s Justice Through the Ages mural (1976–1977) from the Colorado State Judicial Building in 2010 marked the loss of a civic icon by a local Denver artist. The mural did not have controversial image
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2978dd8791b2ccbe1c12cd572f8001b6
https://doi.org/10.1086/697717
https://doi.org/10.1086/697717
Autor:
Andrew Wasserman
Publikováno v:
New York History. 99:139-143
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b749c484e941a8f2f1dd81c76ba40e51
https://doi.org/10.1353/nyh.2018.0023
https://doi.org/10.1353/nyh.2018.0023