Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Andrew T. Burt"'
Autor:
Andrew T. Burt
Publikováno v:
The Journal of Popular Culture. 52:931-948
Autor:
Andrew T. Burt
Publikováno v:
Critical Essays on Twin Peaks: The Return ISBN: 9783030047979
Burt examines how David Lynch and his collaborators design Twin Peaks’ third season soundtrack to create a sense of uneasiness and serve as a portent for narrative changes. Lynch and his collaborators use music and sound to emphasize shifts between
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0eb3e62095ba3bdd7be5c19377c8e3fc
https://doi.org/10.1007/978-3-030-04798-6_16
https://doi.org/10.1007/978-3-030-04798-6_16
Autor:
Walsh, Sara M.1 (AUTHOR) smwalsh@indiana.edu
Publikováno v:
Law & Humanities. Jun2024, Vol. 18 Issue 1, p1-25. 25p.
Autor:
T. Burt, Andrew
Publikováno v:
Journal of Popular Culture; Aug2019, Vol. 52 Issue 4, p931-948, 18p
Autor:
Mike Miley
How are David Lynch's films as much in dialogue with literary and musical traditions as they are cinematic ones? By interrogating this question, David Lynch's American Dreamscape broadens the interpretive horizons of Lynch's filmography, calling for
Autor:
Eric Dienstfrey
Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a
Autor:
Reba Wissner
Director David Lynch is best known for films that channel the uncanny and the weird into a distinct'Lynchian'aesthetic, in which sound and music play a key role: Lynch not only writes his intended sounds into the script but also often takes on the ro
Autor:
Mark Cauchi
Cinema and Secularism is the first collection to make the relationship between cinema and secularism thematic, utilizing a number of different methodological approaches to examine their identification and differentiation across film theory, film aest
This collection convenes diverse analyses of David Lynch's newly conceived, dreamlike neo-noir representations of the American West, a first in studies of regionalism and indigeneity in his films. Twelve essays and three interviews address Lynch's im