Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Andrew Stuckey"'
Autor:
G. Andrew Stuckey
Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of m
Autor:
Andrew Stuckey
Publikováno v:
Journal of Chinese Film Studies. 1:49-64
Film production in China, like that in Hollywood, increasingly attempts to achieve blockbuster status, through reliance on large budgets which enable the cultivation of star systems and world-class production values. More and more we see a reliance o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0931b51e0ed2137b1235ca7d1e339061
https://doi.org/10.1515/jcfs-2021-0005
https://doi.org/10.1515/jcfs-2021-0005
Autor:
Kenneth Chan, Andrew Stuckey
This introductory chapter employs the theoretical concept of Sino-enchantment to explore the cultural, political and ideological complexities, contradictions and complicities of contemporary Chinese fantastic films. The chapter briefly maps out the h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4599d270df226fc429aa9aa6c6dc19b2
https://doi.org/10.3366/edinburgh/9781474460842.003.0001
https://doi.org/10.3366/edinburgh/9781474460842.003.0001
Autor:
Andrew Stuckey
The acclaimed Taiwanese director Hou Hsiao-hsien’s 2015 film, The Assassin, is adapted from a Tang Dynasty tale that is one of the first instances in Chinese literature to describe a swordswoman. If for films such as A Touch of Zen or Crouching Tig
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::80c992062657bbd473b4791f5c801caf
https://doi.org/10.3366/edinburgh/9781474460842.003.0005
https://doi.org/10.3366/edinburgh/9781474460842.003.0005
Autor:
Andrew Stuckey
Publikováno v:
The China Journal. 82:237-239
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::50df722f8597f250fec41f23f06fa9bc
https://doi.org/10.1086/703269
https://doi.org/10.1086/703269
Autor:
Kenneth Chan, Andrew Stuckey
Approaches the recent resurgence of the fantastic in Chinese cinemas.
Autor:
G. Andrew Stuckey
Publikováno v:
Metacinema in Contemporary Chinese Film
“True Lies” focuses on the truth claims inherent in the act of narrating a story. Through linked close readings of Jiang Wen’s In the Heat of the Sun (1994) and Lou Ye’s Suzhou River (2000), we see that the authority of the mostly unseen narr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3b7f4f7146438dc46491a208a5ffd7f8
https://doi.org/10.5790/hongkong/9789888390816.003.0004
https://doi.org/10.5790/hongkong/9789888390816.003.0004