Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Andrew M Whelan"'
Autor:
Andrew M Whelan, Alexandra James
Publikováno v:
Critical Social Policy. 42:22-42
In recent years, a discourse of ‘ethical artificial intelligence’ has emerged and gained international traction in response to widely publicised AI failures. In Australia, the discourse around ethical AI does not accord with the reality of AI dep
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d144c71bffa0c34a0ee9a92538595e69
https://doi.org/10.1177/0261018320985463
https://doi.org/10.1177/0261018320985463
Autor:
Andrew M Whelan, Katrin Tiidenberg
Publikováno v:
Communication and Critical/Cultural Studies. 16:83-102
This paper has two objectives: to explicate the sociotechnical conditions that facilitate critique on social media platforms (specifically: Tumblr); and to operationalize a “working theory” from Fo...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a076fe7e99105821acad5a50714a5a5
https://doi.org/10.1080/14791420.2019.1624797
https://doi.org/10.1080/14791420.2019.1624797
Autor:
Andrew M Whelan
Publikováno v:
Popular Music, Technology, and the Changing Media Ecosystem ISBN: 9783030446581
Vaporwave is an online music scene first surfacing in the early 2010s. Vaporwave producers manipulate samples from commercial music, especially from the 1980s and 1990s (mainstream hits, Muzak, new age, and related “easy listening” styles). The g
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4f0a981c8f77fc69ebf5d5ba23444f09
https://doi.org/10.1007/978-3-030-44659-8_11
https://doi.org/10.1007/978-3-030-44659-8_11
Autor:
Raphaël Nowak, Andrew M Whelan
Publikováno v:
Open Cultural Studies, Vol 2, Iss 1, Pp 451-462 (2018)
Vaporwave, first emerging in the early 2010s, is a genre of music characterised by extensive sampling of earlier “elevator music,” such as smooth jazz, MoR, easy listening, and muzak. Audio and visual markers of the 1980s and 1990s, white-collar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4e735ab80c1b3cd768a0854c961457af
https://doaj.org/article/4cae6663c6af45289be4cd6ae1d66f1b
https://doaj.org/article/4cae6663c6af45289be4cd6ae1d66f1b
Autor:
Andrew M Whelan, Danielle Hynes, Scarlet Wilcock, Tanja Dreher, Alexandra James, Justine Humphry
Publikováno v:
AoIR Selected Papers of Internet Research. 2019
This panel engages critically with the development, application and emerging effects of ‘smart’ technologies of governance. Attending specifically to the ramifications of new forms of (‘big’) data capture and integration implemented by or for
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d741cb44827dab0596ab482302b1c7d1
https://doi.org/10.5210/spir.v2019i0.10977
https://doi.org/10.5210/spir.v2019i0.10977
Publikováno v:
Psychology & Marketing. 32:240-249
The present research explores how consumers use labeling in online consumption communities as a social practice. Through the analysis of conversations in an online consumption community of vegetarians, this paper presents a typology of strategies for
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::adc36f49c92ae27aaca10c09c4ffc056
https://doi.org/10.1002/mar.20777
https://doi.org/10.1002/mar.20777
Autor:
Andrew M Whelan, Katrin Tiidenberg
Publikováno v:
Tiidenberg, K & Whelan, A 2017, ' Sick bunnies and pocket dumps : “Not-selfies” and the genre of self-representation ', Popular Communication, vol. 15, no. 2, pp. 141-153 . https://doi.org/10.1080/15405702.2016.1269907
This article develops and troubles existing approaches to visual self-representation in social media, questioning the naturalized roles of faces and bodies in mediated self-representation. We argue that self-representation in digital communication sh
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::1f2ab9a2933bab9dba717eb26f4bf0a9
https://pure.au.dk/portal/da/publications/sick-bunnies-and-pocket-dumps(89b511cf-4ca4-4f22-a248-1a855e508cd0).html
https://pure.au.dk/portal/da/publications/sick-bunnies-and-pocket-dumps(89b511cf-4ca4-4f22-a248-1a855e508cd0).html
Autor:
Andrew M Whelan
Publikováno v:
Sociological Research Online. 19:1-11
Talk about music, broadly understood, is commonly conducted and regarded as a neutral or transparent window on its topic. However, both vernacular and formal-analytic scholarly accounts constitute music as morally significant, and in doing so, articu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c47bec1381db5f4333ac2b9913aff0dd
https://doi.org/10.5153/sro.3283
https://doi.org/10.5153/sro.3283
Autor:
Raphaël Nowak, Andrew M Whelan
Publikováno v:
Networked Music Cultures
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::642bf6fb86bea2d557f81b9f2f7a2c01
https://doi.org/10.1057/978-1-137-58290-4
https://doi.org/10.1057/978-1-137-58290-4
Autor:
Andrew M Whelan, Raphaël Nowak
Publikováno v:
Networked Music Cultures ISBN: 9781137582898
Digital music is heterogeneous: what is brought under or left outside of the umbrella of digital music differs. Nowak and Whelan demonstrate this with reference to three examples: the 2007 release of In Rainbows by Radiohead as a ‘pay-what-you-want
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::afdad30fbd1826dcfc6ee7cb594a7ce6
https://doi.org/10.1057/978-1-137-58290-4_8
https://doi.org/10.1057/978-1-137-58290-4_8