Zobrazeno 1 - 10
of 146
pro vyhledávání: '"Andres Mario Zervigon"'
Autor:
Andrés Mario Zervigón
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up
Autor:
Andres Zervigon
Publikováno v:
caa.reviews.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fc3b98a2777833293312a1ee4e077c8c
https://doi.org/10.3202/caa.reviews.2013.54
https://doi.org/10.3202/caa.reviews.2013.54
Autor:
Andrés Mario Zervigón
The idea of photography in Germany evokes everything from the pioneering modernist pictures of the Weimar era to the colossal digital prints that define art photography today. But it also recalls horrifying documents of wartime atrocities and the rel
Autor:
Janet Ward, Andres Mario Zervigon
Publikováno v:
Art Journal. 61:112
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4d2c8f5a74b29de8f32a7e77d3ded8d9
https://doi.org/10.2307/778158
https://doi.org/10.2307/778158
Autor:
Andres Mario Zervigon
Publikováno v:
Art Journal. 61:68
Approaching the recent work of South African artist Siemon Allen is like encountering an object of classic Minimalism. His shiny black behemoth entitled Screen (2000), for example, bears a close resemblance to Tony Smith's Die of 1962. And like Die,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f8328bc4b6c8f349d03c48453bd7ff4a
https://doi.org/10.2307/778169
https://doi.org/10.2307/778169
Publikováno v:
Art Journal. 58:103
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::73d867bb1a2df7ba117603848e6c14ba
https://doi.org/10.2307/777865
https://doi.org/10.2307/777865
Publikováno v:
Art Journal. 54:87
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e5a8869771fdd576f843b92e30803f71
https://doi.org/10.2307/777467
https://doi.org/10.2307/777467
Autor:
Magagnoli, Paolo
Publikováno v:
Journal of Australian Studies; Mar2023, Vol. 47 Issue 1, p49-70, 22p
Autor:
Sabine T. Kriebel, Andrés Zervigón
Recent decades have seen photography's privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and wha