Zobrazeno 1 - 10
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pro vyhledávání: '"Andrea F. Bohlman"'
Autor:
Andrea F. Bohlman
Publikováno v:
Tempo. 76:50-60
This article explores Joan La Barbara's appearance on Sesame Street with ‘The Signing Alphabet’ (1977) to engage her artistic commitments to accessibility and collaboration. The piece is an alphabet song rendered through vocal improvisation again
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d288c123ea7abc5facad29bce03d8ffc
https://doi.org/10.1017/s0040298222000055
https://doi.org/10.1017/s0040298222000055
Autor:
Andrea F. Bohlman
Publikováno v:
Music and International History in the Twentieth Century ISBN: 9781782385011
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::471052f9b1cb154c4ef40d1210eb161a
https://doi.org/10.1515/9781782385011-012
https://doi.org/10.1515/9781782385011-012
Autor:
Andrea F. Bohlman
Publikováno v:
Contemporary Music Review. 39:708-732
Warsaw's Experimental Studio of Polish Radio (1957–2004) was integral to public media production in Poland. At the its consoles, composers and engineers studied acoustics, made incidental sounds fo...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7f5212b4f62988b7b74d307be43c1a43
https://doi.org/10.1080/07494467.2020.1863007
https://doi.org/10.1080/07494467.2020.1863007
Autor:
Andrea F. Bohlman
Publikováno v:
Excursions in World Music ISBN: 9780429433757
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ecd3d5f76546adb3ab02461f0c73b07a
https://doi.org/10.4324/9780429433757-9
https://doi.org/10.4324/9780429433757-9
Autor:
Andrea F. Bohlman
Publikováno v:
Critical Themes in World Music ISBN: 9780429424717
Critical Themes in World Music
Critical Themes in World Music
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f10428b73c61b8eac8ddb74ae7e7d4f8
https://doi.org/10.4324/9780429424717-7
https://doi.org/10.4324/9780429424717-7
Autor:
Andrea F. Bohlman
The introduction defines “political action” and “solidarity” theoretically, as frameworks for organizing and dispersing the relationship between music and protest. It also introduces the Polish opposition to state socialism, giving an overvie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6e36bd6c5ea7594db2d5a34c1f32499b
https://doi.org/10.1093/oso/9780190938284.003.0001
https://doi.org/10.1093/oso/9780190938284.003.0001
Autor:
Andrea F. Bohlman
This book studies the relationship between music making and social movements using the Solidarity movement in 1980s Poland as a case study. Its central argument is that while music offered a means of performing and commemorating the Solidarity moveme
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8c0c14b4c87b43888e0c7e1534ae2698
https://doi.org/10.1093/oso/9780190938284.001.0001
https://doi.org/10.1093/oso/9780190938284.001.0001
Autor:
Andrea F. Bohlman
The symbols and rituals of Polish Catholicism structured much of the opposition’s work and discourse. When one cherished leader, Father Jerzy Popiełuszko, was violently murdered by the Security Service in late 1984, he became a martyr for the oppo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ed9ae0d3e8a70d6aec98927d475e73be
https://doi.org/10.1093/oso/9780190938284.003.0005
https://doi.org/10.1093/oso/9780190938284.003.0005
Autor:
Andrea F. Bohlman
This chapter offers a history of martial law (1981–84) in Poland to argue that music was a mode of civil resilience as well as a crucial means of conveying information and writing histories from below. The declaration of martial law brought about e
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::71a1ed0cffdce67960986516c62cc691
https://doi.org/10.1093/oso/9780190938284.003.0003
https://doi.org/10.1093/oso/9780190938284.003.0003
Autor:
Andrea F. Bohlman
The chapter presents the history of one patriotic and Catholic hymn, “God Save Poland” (1816), to take a long historical view and gesture toward the real power of imagined musical solidarity. The hymn was ubiquitous in Poland in the 1980s and exe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::78edb84bb671fb11d4124a4f2d7b9510
https://doi.org/10.1093/oso/9780190938284.003.0007
https://doi.org/10.1093/oso/9780190938284.003.0007