Zobrazeno 1 - 10
of 26
pro vyhledávání: '"Andrea, Cavalletti"'
Autor:
Andrea Cavalletti
Reading philosophy through the lens of Alfred Hitchcock's Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself.Fear of the void, terror of heights: everyo
Publikováno v:
História: Questões & Debates. 71:07
Apresentação do dossiê Os Tempos na (depois da) História: Revoltas, Crise e Guerra
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b98064d7d4d7715f3b30eb70869671e9
https://doi.org/10.5380/his.v71i1.90836
https://doi.org/10.5380/his.v71i1.90836
Autor:
Andrea Cavalletti
The dizzying atmosphere in which death and life are confused envelops both Hitchcock’s movie and its literary sources (the novels of Boileau-Narcejac and Georges Rodenbach). The vertiginous relationship between subjectivity, death, and the mask is
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3d915936a7fb8b4e5b88a65c1d5490d7
https://doi.org/10.5422/fordham/9780823298037.003.0005
https://doi.org/10.5422/fordham/9780823298037.003.0005
Autor:
Andrea Cavalletti
The second chapter is dedicated to the original theory of vertigo conceived by the philosopher and historian of art and ideas Robert Klein. One the one hand, Klein’s theory offers a key to interpreting the film. On the other hand, it recalls the th
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https://explore.openaire.eu/search/publication?articleId=doi_________::42b01614b55d591bde580078a3dd998d
https://doi.org/10.5422/fordham/9780823298037.003.0003
https://doi.org/10.5422/fordham/9780823298037.003.0003
Everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies, attributing to it that destabilizing and intoxicating elemen
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https://explore.openaire.eu/search/publication?articleId=doi_________::6fb6e15ba80b524787a0c70df3d36a62
https://doi.org/10.5422/fordham/9780823298037.001.0001
https://doi.org/10.5422/fordham/9780823298037.001.0001
Autor:
Andrea Cavalletti
The famous opening scene in Hitchcock’s movie Vertigo introduces a brief history or rather a genealogical sketch of the concept of vertigo, from medicine in the early modern era to Freud, from Montaigne and Pascal to Charles Renouvier, Alain, and S
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fe0a6f5fa6c5c3b0c01ae31e9aa0aa0e
https://doi.org/10.5422/fordham/9780823298037.003.0002
https://doi.org/10.5422/fordham/9780823298037.003.0002
Autor:
Andrea Cavalletti
Art theorists Riegl, Worringer, Roberto Longhi, and Sergio Bettini, and philosophers Henri Maldiney and Jean Paul Sartre are all summoned together to attempt a definition of cinema and of the effect in general. The theoretical conclusion is reached b
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c3941bf7243e39da1ca1a39b6c395538
https://doi.org/10.5422/fordham/9780823298037.003.0007
https://doi.org/10.5422/fordham/9780823298037.003.0007