Zobrazeno 1 - 10
of 26
pro vyhledávání: '"Andrés Mario Zervigón"'
Autor:
Andrés Mario Zervigón
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up
Autor:
Andrés Mario Zervigón
Publikováno v:
Nineteenth-Century Art Worldwide. 22
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::53c2fd47b3062dabcee3c47cd5e24f1f
https://doi.org/10.29411/ncaw.2023.22.1.15
https://doi.org/10.29411/ncaw.2023.22.1.15
Autor:
Andrés Mario Zervigón
Publikováno v:
History of Photography. 43:130-143
For decades now, Douglas Crimp’s landmark 1980 essay ‘The Photographic Activity of Postmodernism’ has shaped our understanding of modernism’s aftermath, at least as it unfolded in North America and...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9482c76e0b2eae3400ac26be2bbc47e6
https://doi.org/10.1080/03087298.2019.1676982
https://doi.org/10.1080/03087298.2019.1676982
Autor:
Deborah Ascher Barnstone, Nina Lübbren, Barbara McCloskey, Daniel H. Magilow, Freyja Hartzell, Christian Weikop, Erin Maynes, Camilla Smith, Marsha Morton, Andrés Mario Zervigón
Publikováno v:
The German Quarterly. 92:246-282
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3dba13265460c042875002755fb1272b
https://doi.org/10.1111/gequ.12105
https://doi.org/10.1111/gequ.12105
Autor:
Andrés Mario Zervigón
Publikováno v:
Photography in the Third Reich
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ddabcc6bd3e3ef2e5c15dcbba5d4ce8c
https://doi.org/10.11647/obp.0202.03
https://doi.org/10.11647/obp.0202.03
Autor:
Andrés Mario Zervigón
Publikováno v:
Getting the Picture ISBN: 9781003103547
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2a78d949cb725d2f0df9d89aa24b3c80
https://doi.org/10.4324/9781003103547-47
https://doi.org/10.4324/9781003103547-47
Publikováno v:
History of Photography. 43:119-121
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0eb9010f02a6551473ed91d73c863dbe
https://doi.org/10.1080/03087298.2019.1696043
https://doi.org/10.1080/03087298.2019.1696043
Autor:
Andrés Mario Zervigón
Publikováno v:
Photography and Ontology
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4914d1273ce8ccbdcededcf9bae25515
https://doi.org/10.4324/9781351187756-2
https://doi.org/10.4324/9781351187756-2