Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Anastasia V. Gladoshchuk"'
Autor:
Anastasia V. Gladoshchuk
Publikováno v:
Литература двух Америк, Iss 9, Pp 236-260 (2020)
Two tendencies define one of the “master -currents” (Ch. Innes) in the XXth century drama, epitomized by Antonin Artaud’s “theatre of cruelty”: revival of ritual practices and search for a “new myth”. Artaud perceives the Myth both as t
Externí odkaz:
https://doaj.org/article/dc1b9d12916f40a09eb14a1d62729888
Autor:
Anastasia V. Gladoshchuk
Publikováno v:
Достоевский и мировая культура: Филологический журнал, Iss 2, Pp 116-127 (2020)
The paper focuses on two short stories from the collection “God on Earth” (1944) by the Mexican author José Revueltas (1914–1976). The texts are analysed in the perspective suggested by the only epigraph which is a citation from the IX chapter
Externí odkaz:
https://doaj.org/article/e2459a009b1b4bcb9a19e128b25cd2d4
Autor:
Anastasia V. Gladoshchuk
Publikováno v:
Литература двух Америк, Iss 6, Pp 134-186 (2019)
The paper is centred on the problem of influence of the French nouveau roman represented by A. Robbe-Grillet (1922–2008), M. Butor (1928–2016) and N. Sarraute (1900–1999) on the aesthetic formation of their Argentine contemporary, one of the cr
Externí odkaz:
https://doaj.org/article/9a8f212ae0f441ec97d542f1f898719a
Autor:
Anastasia V. Gladoshchuk
Publikováno v:
Литература двух Америк, Iss 4, Pp 114-147 (2018)
The paper is devoted to The Labyrinth of Solitude (1950, 1959) – the most famous Octavio Paz’s essay, which occupies a central place in his versatile work and gives a characteristic example of the hybrid genre most corresponding to the idiosyncra
Externí odkaz:
https://doaj.org/article/5a5babd11d7845ecb20aa385ece3a5d2
Autor:
Anastasia V. Gladoshchuk
Publikováno v:
Studia Litterarum, Vol 3, Iss 2, Pp 66-79 (2018)
The poetics of Octavio Paz’s book The Violent Season (1958) is in great part defined by its autobiographical canvas: the sequence of the 9 poems that compose the lyrical series corresponds chronologically and geographically with Paz’s peregrinati
Externí odkaz:
https://doaj.org/article/1e8395d1342a4bb1bb7b0bb60d8c2d9a
Demon of Analogy: Octavio Paz, Rubén Darío and Spanish-American Modernism between America and France
Autor:
Anastasia V. Gladoshchuk
Publikováno v:
Литература двух Америк, Iss 2, Pp 186-195 (2017)
The article is dedicated to the reception of Ruben Darío’s works in the essays of Octavio Paz. A special attention is paid to the essay from the book «Quadrivium» (1965) — «The Siren and the Seashell»: among great number of Paz’s critical
Externí odkaz:
https://doaj.org/article/f43de16afab04f2aadcb15815833c8cb
Autor:
Anastasia V. Gladoshchuk
Publikováno v:
Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ, Vol 10, Iss 2 (2018)
The article focuses on the interaction of the Indian culture and Surrealism in the oeuvre of Octavio Paz. Analyzing the poem in prose Obsidian Butterfly from the book Eagle or Sun? (1951), the author shows how Paz, similarly to the Surrealists, imita
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::de9e1d1902751956857c910f01fb325a
http://press.psu.ru/index.php/philology/article/view/1456
http://press.psu.ru/index.php/philology/article/view/1456
Publikováno v:
Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ, Vol 10, Iss 2 (2018)
The article focuses on the interaction of the Indian culture and Surrealism in the oeuvre of Octavio Paz. Analyzing the poem in prose Obsidian Butterfly from the book Eagle or Sun? (1951), the author shows how Paz, similarly to the Surrealists, imita
Externí odkaz:
https://doaj.org/article/efcbd08e63af493d9325d18ec48088c8