Zobrazeno 1 - 5
of 5
pro vyhledávání: '"Anabela Dinis Branco de OLIVEIRA"'
Publikováno v:
Synergies Portugal, Vol 3, Iss 3, Pp 45-60 (2015)
La littérature devient, de plus en plus, l’espace et le temps d’un intense dialogue entre les arts. Elle est inséparable du cinéma, de la peinture et de l’architecture. La poursuite des images, des séquences et des espaces conduit à un foi
Externí odkaz:
https://doaj.org/article/4b93d7ef45c44018b51fa70f64f823a2
Publikováno v:
1616, Vol 4, Iss 0, Pp 334-339 (2015)
Externí odkaz:
https://doaj.org/article/d02b91531a4d497e8a0f308f2b4c1348
Publikováno v:
Forma Breve, Iss 12 (2015)
O documentário O Triunfo da Vontade, de Leni Riefenstahl (1934) projeta o antagonismo entre o horror de uma doutrina e a essência da arte cinematográfica! Como é que se conjugam a propaganda e a arte, a ideologia e a câmara, o horror e a beleza?
Externí odkaz:
https://doaj.org/article/2a20f8ed31784c45bca168999a29879a
Publikováno v:
AVANCA | CINEMA.
In Cinematographic Poem (29/11/1986), Manoel de Oliveira claims:” We are left with the memory/Of the life we lived/which becomes the food/ Life itself feeds on/The possibility of art itself.” The filmmaker-poet defines memory as the creative impu
Publikováno v:
Studia Iberystyczne. 13:521-534
THE FILM DIRECTOR AND THE CITY: MANOEL DE OLIVEIRA AND PORTO Manoel de Oliveira brings about a strong, inexplicable and a connection impossible to define to Porto. He casts, in Douro Faina Fluvial (1931), Aniki‑Bóbó (1942), O Pintor e a Cidade (1