Zobrazeno 1 - 10
of 24
pro vyhledávání: '"Ana Fernández-Caparrós"'
Autor:
Ana Fernández-Caparrós
Publikováno v:
Asparkía, Iss 43 (2023)
Reseña de Rosas en la arena: los relatos de Susan Glaspell, de Noelia Hernando-Real.
Externí odkaz:
https://doaj.org/article/40dd048130fb4f16b41f28be3de3051f
Autor:
Ana Fernández-Caparrós
Publikováno v:
Cultura, Lenguaje y Representación, Vol 25 (2021)
While much critical attention as been devoted to the representation of precarity on the European stages, and in British theatre in particular, dramatic texts produced in the United States that concern, depict and represent the lives of members of the
Externí odkaz:
https://doaj.org/article/94c38b32bdc74d9895cabc2e7a502c72
Publikováno v:
Recherches, Vol 18, Pp 98-107 (2017)
L’œuvre dramatique de Sarah Ruhl attire l’attention par son hybridisme voulu et par la convergence de multiples voix littéraires, picturales, philosophiques et théoriques. Cet article analyse ces voix dans Dead Man’s Cell Phone, dont la prem
Externí odkaz:
https://doaj.org/article/d93ed3d786334fc7bd49e92ad0ff8b4e
Publikováno v:
Cahiers Victoriens et Edouardiens (2017)
In the short period between 1837, when Queen Victoria came to the throne, and 1843, when the Theatre Regulation Act amended the Licensing Act of 1737 and thus reconfigured theatrical freedom and production in the United Kingdom, the fruitful collabor
Externí odkaz:
https://doaj.org/article/c7a595afefad40629c8bdbf19d51c71d
Publikováno v:
Miscelánea: A Journal of English and American Studies, Vol 54 (2016)
Fool for Love (1983), una de las obras más conocidas y más representadas internacionalmente del repertorio shepardiano, dramatiza la controvertida relación sentimental entre May y Eddie. El siguiente artículo indaga en cómo se articula escénica
Externí odkaz:
https://doaj.org/article/3dd90603142a4c038d49673895aad169
Publikováno v:
Revista de Filología Románica, Vol 0, Iss 2, Pp 144-150 (2011)
During the Sixties there were a series of social, cultural, political and economic factors that led to the emergence of an underground theatre movement localized in New York's Greenwich Village and Lower East Side. This counter-cultural theatre was b
Externí odkaz:
https://doaj.org/article/adfbeaccd17a49bd9c3e867ec6a618d1
Publikováno v:
Atlantis, 2016 Jun 01. 38(1), 109-127.
Externí odkaz:
http://www.jstor.org/stable/24757760
Autor:
Ana Fernández-Caparrós
Publikováno v:
Studies in Theatre and Performance. :1-17
This comparative essay analyses the dramatic representation of horses in two early twenty-first-century American plays by Sam Shepard and Sarah Ruhl. Both plays bring a horse figure onto the stage ...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a32b658be222f70816b0555b24666254
https://doi.org/10.1080/14682761.2021.1902139
https://doi.org/10.1080/14682761.2021.1902139
Autor:
Ana Fernández-Caparrós
Publikováno v:
Staging 21st Century Tragedies ISBN: 9781003046479
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e689e6e98eb0b97e094b4557bb13ddd0
https://doi.org/10.4324/9781003046479-12
https://doi.org/10.4324/9781003046479-12
Publikováno v:
South Atlantic Review, 2011 Oct 01. 76(4), 57-74.
Externí odkaz:
https://www.jstor.org/stable/43738917