Zobrazeno 1 - 3
of 3
pro vyhledávání: '"Anaïs Genty-Vincent"'
Autor:
Michel Menu, Vincent Detalle, Anaïs Genty-Vincent, Dominique Martos-Levif, Cinzia Pasquali, Jean-Baptiste Bodiguel, Xueshi Bai, Corinna Ludovica Koch Dandolo, Maxime Lopez
Publikováno v:
Studies in Conservation. 67:151-160
In consequence of the flooding of the Loing river in 2016, some of the storage areas for the Musee Girodet were submerged, with 3000 artworks affected. Following this, the painting Le Jeune Trioson...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::25df4b7f7a6be20f08bd0a58fb095feb
https://doi.org/10.1080/00393630.2020.1825901
https://doi.org/10.1080/00393630.2020.1825901
Autor:
Nadège Lubin-Germain, Michel Menu, Myriam Eveno, Elisabeth Ravaud, Anaïs Genty-Vincent, Isabelle Cabillic, Jacques Uziel, Witold Nowik, Gilles Bastian
Publikováno v:
Applied Physics A. 121:779-788
The blanching of easel paintings can affect the varnish layer and also the paint layer with a blurring effect. The understanding of the physicochemical and optical phenomena involved in the whitening process remains an important challenge for the pai
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::205da4939389b285972c736c0bfc0960
https://doi.org/10.1007/s00339-015-9366-y
https://doi.org/10.1007/s00339-015-9366-y
Publikováno v:
Applied Physics A. 123
Blanching of easel oil paintings is a recurring alteration that can affect the varnish layer and also the paint layer itself, and strongly alter the visual appearance. Our examinations by field emission gun scanning electron microscopy (FEG-SEM) of a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::88c75a87bbf2ba911a301ee73e511765
https://doi.org/10.1007/s00339-017-1092-1
https://doi.org/10.1007/s00339-017-1092-1