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pro vyhledávání: '"Amy Sonheim"'
Autor:
Amy Sonheim
Publikováno v:
English Studies. 100:578-590
Flannery O’Connor in her seasoned fiction and El Greco in his painting The Burial of the Count of Orgaz (1586-88) demonstrate a newly discovered shared aesthetic: both portray visions of glory as fast moving but scenes of life on earth as slow goin
Autor:
Amy Sonheim
Publikováno v:
American Imago. 71:213-225
The essay interprets the doubled narrative of the picture book The Gardener, illustrated by David Small and authored by Sarah Stewart, as a simulation of relational therapy as practiced with traumatized children. Because traumatized children often st
Autor:
Amy Sonheim, Philip Nel, George R. Bodmer, Derick Dreher, Jan Susina, Maria Tatar, U. C. Knoepflmacher, John Cech
Publikováno v:
PMLA/Publications of the Modern Language Association of America. 129:101-103
Maurice Sendak was an artist who not only produced extraordinary art and memorable books but also expanded the range of children's literature, what it can portray. In doing so, he eagerly dealt with his own life, his anxieties and joys, and focused o
Autor:
Amy Sonheim
Publikováno v:
PMLA/Publications of the Modern Language Association of America. 129:116-118
Autor:
Amy Sonheim
Publikováno v:
The Lion and the Unicorn. 27:377-393
Beverly Brodsky McDermott's The Golem: A Jewish Legend (1976) and David Wisniewski's Golem (1996) use dissimilar designs to express similar sensibilities: they celebrate creating the golem, while recognizing him as a projection of evil. Brodsky's ink