Zobrazeno 1 - 10
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pro vyhledávání: '"Amy Knight Powell"'
Autor:
Amy Knight Powell
Publikováno v:
Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online. 72:272-305
In Amy Powell’s essay social death’ offers a prism through which to analyse the said painting and specifically what it conceals – namely, the bodies of Black Africans sold into the transatlantic slave trade from storerooms located immediately b
Autor:
Amy Knight Powell
Publikováno v:
The Art Bulletin. 104:120-123
Autor:
Amy Knight Powell
Publikováno v:
Reinterpreting the Middle Ages ISBN: 9782503599731
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ceb3de85b2ae2dd38678c701b92583e1
https://doi.org/10.1484/m.neo-eb.5.131338
https://doi.org/10.1484/m.neo-eb.5.131338
Autor:
Amy Knight Powell
Publikováno v:
Contamination and Purity in Early Modern Art and Architecture. :207-242
Autor:
Amy Knight Powell
Publikováno v:
Grey Room. :24-55
Autor:
Amy Knight Powell
Publikováno v:
Res: Anthropology and aesthetics. :60-75
Autor:
Amy Knight Powell
Publikováno v:
caa.reviews.
Autor:
Lauren Jacobi, Daniel Zolli, Carolina Mangone, Grace Harpster, Christopher Nygren, Allison Stielau, Sylvia Houghteling, Amy Knight Powell, Lisa Pon, Carolyn Dean, Dana Leibsohn, Joseph Leo Koerner, Caroline Jones
The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a grea
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5bd7cb987084b320075e49bd7b3eee42
https://doi.org/10.5117/9789462988699
https://doi.org/10.5117/9789462988699
Autor:
Amy Knight Powell
Publikováno v:
Representations. 141:95-130
In “The Crisis of the Easel Picture” (1948), Clement Greenberg compares the easel picture, disparagingly, to a box-like cavity cut into the wall. In this essay, I argue that late medieval panel paintings—which indeed often took the form of boxe