Zobrazeno 1 - 10
of 24
pro vyhledávání: '"Amy Kenny"'
Autor:
Amy Kenny
Publikováno v:
Multicultural Shakespeare, Vol 11, Iss 26, Pp 31-44 (2014)
In 2012, Shakespeare’s Globe hosted the Globe to Globe Festival, which featured performances from thirty-seven international companies in their native tongues as part of the Cultural Olympiad in the lead up to the London Olympic Games. This paper e
Externí odkaz:
https://doaj.org/article/4adbf1d4a9924ef9a851c4e0b48cab87
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Considering a wide range of early modern texts, performances and artworks, the essays in this collection demonstrate how attention to the senses
Autor:
Amy Kenny, Kaara L. Peterson
Publikováno v:
Humorality in Early Modern Art, Material Culture, and Performance ISBN: 9783030776176
Beneath the laurel-crowned, winged allegory of Melancholy in Albrecht Durer’s Melencolia 1 (1514), several objects are strewn about the floor, including carpenter’s tools—a set-square, a plane, and a few scattered nails—along with pincers, a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::72b5a82a056dbf9fec758b73d81c4122
https://doi.org/10.1007/978-3-030-77618-3_1
https://doi.org/10.1007/978-3-030-77618-3_1
Autor:
Amy Kenny
Publikováno v:
Humorality in Early Modern Art, Material Culture, and Performance ISBN: 9783030776176
Decapitated heads, dismembered hands, severed legs, detached noses, castrated tongues, false eyes, and even a cleaved heart are listed as stage directions in early modern plays. Scholarship has largely focused on how the fragmented body is reducible
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::28b230707134caedb31be50b5cb0904e
https://doi.org/10.1007/978-3-030-77618-3_6
https://doi.org/10.1007/978-3-030-77618-3_6
Autor:
Amy Kenny, Camila Reyes
Publikováno v:
UC Riverside Undergraduate Research Journal, vol 14, iss 1
Author(s): Reyes, Camila; Kenny, Amy | Abstract: There are numerous examples in which the female characters in William Shakespeare’s plays go against the era’s gender norms and enact violence. I argue that Lady Macbeth is one of these violent wom
Autor:
Amy Kenny, Kaara L. Peterson
Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and perform
Autor:
Amy Kenny
Publikováno v:
Contagion and the Shakespearean Stage ISBN: 9783030144272
In Julius Caesar , Casca suggests the plebeians can contaminate the tribunes simply by emitting offensive scents in public. While the citizens’ odor is used to vilify them, it becomes a potent signifier of the agency they possess to voice their vie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::903d08eede9b52a0405b4258b08cabb2
https://doi.org/10.1007/978-3-030-14428-9_3
https://doi.org/10.1007/978-3-030-14428-9_3
Autor:
Amy Kenny
Publikováno v:
Humoral Wombs on the Shakespearean Stage ISBN: 9783030052003
The womb wielded a constant threat during pregnancy because of its excessive lust, maternal imagination, and overactive role in gestation. Early modern medicine is full of salacious tales about pregnant women physically imprinting their children simp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3090494d8f8f2f81fa608a12dcfa5443
https://doi.org/10.1007/978-3-030-05201-0_5
https://doi.org/10.1007/978-3-030-05201-0_5
Autor:
Amy Kenny
Publikováno v:
Humoral Wombs on the Shakespearean Stage ISBN: 9783030052003
The coda offers a brief conclusion to the work on wombs the book has explored. It demonstrates how the womb and its humors are often blamed for ailments in medical literature but exonerated in Shakespeare’s plays. While the female body was demarcat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4d85ee4f4d6b35cdf2524d3115838e87
https://doi.org/10.1007/978-3-030-05201-0_8
https://doi.org/10.1007/978-3-030-05201-0_8