Zobrazeno 1 - 10
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pro vyhledávání: '"Amy C. Beal"'
Autor:
Amy C. Beal
From her childhood in Detroit to her professional career in New York City, American composer Lucia Dlugoszewski (1925–2000) lived a life of relentless creativity as a poet and writer, composer for dance, theater, and film, and, eventually, choreogr
Autor:
Amy C. Beal
Composer Johanna Beyer's fascinating body of music and enigmatic life story constitute an important chapter in American music history. As a hard-working German émigré piano teacher and accompanist living in and around New York City during the New D
Autor:
Amy C. Beal
This is the first comprehensive treatment of the remarkable music and influence of Carla Bley, a highly innovative American jazz composer, pianist, organist, band leader, and activist. With fastidious attention to Bley's diverse compositions over the
Autor:
Amy C. Beal
Publikováno v:
Rethinking American Music
From William Billings’s self-published scores in the 1770s to Carla Bley and Michael Mantler’s New Music Distribution Service (NMDS) in the 1970s and beyond, composer-driven publishing and distribution efforts have aided the survival of independe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::04a583077e2331eee71ef27ed6a69f32
https://doi.org/10.5622/illinois/9780252042324.003.0007
https://doi.org/10.5622/illinois/9780252042324.003.0007
Autor:
Amy C. Beal
This chapter looks at Bley's first few years in New York. She was most likely eighteen years old when she arrived in the city but it is not clear exactly when Bley first got there. New to the city, she slept temporarily in Grand Central Station and t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::56303eb2753e358ea68d9458ac08fdf9
https://doi.org/10.5406/illinois/9780252036361.003.0002
https://doi.org/10.5406/illinois/9780252036361.003.0002
Autor:
Amy C. Beal
This chapter examines Beyer's instrumental chamber works and pieces for symphony orchestra or large ensemble. Beyer's two suites for solo clarinet, composed in 1932, are landmark works of dissonant counterpoint and modernist formalism. These clarinet
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a5e90b273688a8f72bf3fcfb44257d2d
https://doi.org/10.5406/illinois/9780252039157.003.0007
https://doi.org/10.5406/illinois/9780252039157.003.0007
Autor:
Amy C. Beal
This chapter looks at Beyer's life in Sunnyside Gardens in the late 1920s. Sunnyside Gardens was the center of Beyer's social life. Friends in Beyer's community during this time included not just social worker Bertha Reynolds and Beyer's niece Frida
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ef93fefb6f42d78e68d5e07ea9410419
https://doi.org/10.5406/illinois/9780252039157.003.0001
https://doi.org/10.5406/illinois/9780252039157.003.0001
Autor:
Amy C. Beal
This introductory chapter provides a background of Carla Bley and her music. Bley is a prolific and influential American composer. And though her career, which began in the 1950s, has taken place largely within the venues and institutions of the jazz
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1cd98d98a17fc7ffb41932d878b2cafe
https://doi.org/10.5406/illinois/9780252036361.003.0001
https://doi.org/10.5406/illinois/9780252036361.003.0001
Autor:
Amy C. Beal
This chapter examines Beyer's compositional beginnings. Aside from several solo pieces composed in 1931 and 1932—a piano waltz and two solo clarinet suites, respectively—Beyer composed several chamber pieces during 1933. She continued making stri
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d6bc915eef67b0ca740b97de883ef3a8
https://doi.org/10.5406/illinois/9780252039157.003.0002
https://doi.org/10.5406/illinois/9780252039157.003.0002