Zobrazeno 1 - 10
of 30
pro vyhledávání: '"American Independent Cinema"'
Autor:
Cathy Lomax
Publikováno v:
Open Screens, Vol 5, Iss 1 (2022)
Girlfriends [Criterion Collection, 2020] (Claudia Weill, 1978), 88 Minutes, spine #1055, (Blu-ray)
Externí odkaz:
https://doaj.org/article/6e24a5b06845462c814c6b53b3492927
Autor:
Aptacy, Piotr
Publikováno v:
Filmowe pejzaże Ameryk / Americas’ Filmscapes. :203-219
Externí odkaz:
https://www.ceeol.com/search/chapter-detail?id=940473
Autor:
Gürbüz, Ali
Publikováno v:
SineFilozofi. 5(10):772-775
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=969589
Autor:
Maria Teresa Soldani
Publikováno v:
Cinergie, Vol 7, Iss 13, Pp 59-65 (2018)
This essay aims at exploring No Wave as a potential paradigm of American Independent Cinema by investigating where and when this body of works flourished: New York City from the mid-1970s. In such films, the decayed urban environment of Lower Manhatt
Externí odkaz:
https://doaj.org/article/68e6f72016ce466e9fccdcfb6a0783e8
Autor:
CANET, Fernando
Publikováno v:
Acta Universitatis Sapientiae, Film and Media Studies. (07):153-167
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=136717
Autor:
Rogers, Ariel
Publikováno v:
Film History: An International Journal, 2012 Jan 01. 24(2), 221-234.
Externí odkaz:
https://www.jstor.org/stable/10.2979/filmhistory.24.2.221
Autor:
Garwood, Ian
Publikováno v:
NECSUS : European journal of media studies, Vol 9, Iss 1, Pp 5-29 (2020)
Sarah Barrow argues that the video essay provides a ‘viable alternative to the academic book’. This article explores that claim, considering how a video essay-based project can pursue a single topic in the man-ner of a monograph. The case study i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d91bddd9207f7a60b19b312d48aec5f6
https://necsus-ejms.org/from-video-essay-to-video-monograph-indy-vinyl-as-academic-book/
https://necsus-ejms.org/from-video-essay-to-video-monograph-indy-vinyl-as-academic-book/
Autor:
Aptacy, Piotr
The article aims at characterising the style of one of the American independent cinema’s most prominent representatives, that is, Wes Anderson – the forerunner of New Sincerity in film. While carrying out a systematic overview of Anderson’s hit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4084::bb4dd5bd10524424f4df6fa48fffb1a4
http://hdl.handle.net/20.500.12128/22196
http://hdl.handle.net/20.500.12128/22196
Autor:
Yannis Tzioumakis
Publikováno v:
Mise au Point, Vol 4 (2012)
In 2008 the American “indie” film sector saw no fewer than three “specialty film divisions” being closed by their parent companies, while two years later the once mighty Miramax was sold by Disney. This consolidation created a sector that is
Externí odkaz:
https://doaj.org/article/725b2c0a6ba44959a5ef359213897194
Autor:
Soldani, Maria Teresa
Publikováno v:
Cinergie, Vol 7, Iss 13, Pp 59-65 (2018)
This essay aims at exploring No Wave as a potential paradigm of American Independent Cinema by investigating where and when this body of works flourished: New York City from the mid-1970s. In such films, the decayed urban environment of Lower Manhatt
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::66b135110f070a216f56ce76e46b56ef
https://cinergie.unibo.it/article/view/7911
https://cinergie.unibo.it/article/view/7911