Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Ambereen Dadabhoy"'
Autor:
Roland Betancourt, Ambereen Dadabhoy
Publikováno v:
Seeing Race Before Race: Visual Culture and the Racial Matrix in the Premodern World ISBN: 9780866988438
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::74e036d073fd1a26de834e068b303baa
https://doi.org/10.54027/xqvt3084
https://doi.org/10.54027/xqvt3084
Autor:
Ambereen Dadabhoy
Publikováno v:
Teaching Race in the European Renaissance: A Classroom Guide ISBN: 9780866988377
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9db342b0d668d5432858ec39b27185d7
https://doi.org/10.54027/qbwe2853
https://doi.org/10.54027/qbwe2853
Autor:
Ambereen Dadabhoy
Publikováno v:
Shakespeare and Cultural Appropriation ISBN: 9781003304456
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8b8f1b2b1bb6698f3392d7e716e534b4
https://doi.org/10.4324/9781003304456-7
https://doi.org/10.4324/9781003304456-7
Autor:
Ambereen Dadabhoy, Nedda Mehdizadeh
Anti-Racist Shakespeare argues that Shakespeare is a productive site to cultivate an anti-racist pedagogy. Our study outlines the necessary theoretical foundations for educators to develop a critical understanding of the longue durée of racial forma
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0625f846324d3a7381f17210d1eaacff
https://doi.org/10.1017/9781009004633
https://doi.org/10.1017/9781009004633
Autor:
Ambereen Dadabhoy
Publikováno v:
Modern Philology. 119:E162-E164
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::66a1e3f2b41e6cd519ed05409711951b
https://doi.org/10.1086/718653
https://doi.org/10.1086/718653
Autor:
Ambereen Dadabhoy
Publikováno v:
Shakespeare. 17:15-28
Haider, the terminal film in Vishal Bhardwaj's Indian Shakespeare trilogy, reconfigures Hamlet in the context of Indian-occupied Kashmir. Haider, tethers Shakespeare's play to contemporary geopolit...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2a0f3d53cca3a1fcaeb2d0cb3b3aaaa1
https://doi.org/10.1080/17450918.2021.1892810
https://doi.org/10.1080/17450918.2021.1892810
Autor:
Ambereen Dadabhoy
Publikováno v:
postmedieval. 11:228-235
What happens to the critical work of scholars, teachers, and performers of Shakespeare if we take very seriously the whiteness of our author and the critical epistemologies that develop and contour the body of his corpus? How is such work affected by
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fc80e0b22ec501abeb554b2c38e644b8
https://doi.org/10.1057/s41280-020-00169-6
https://doi.org/10.1057/s41280-020-00169-6
Autor:
Ambereen Dadabhoy
Publikováno v:
Critical Confessions Now ISBN: 9783031185076
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::90cbf22481266bcbfd3c70c8c460dcaa
https://doi.org/10.1007/978-3-031-18508-3_9
https://doi.org/10.1007/978-3-031-18508-3_9
Autor:
Ambereen Dadabhoy
Publikováno v:
Journal of American Studies. 54:82-88
This article explores how black artists and intellectuals approach, challenge, and appropriate the works of William Shakespeare. Beginning with W. E. B. Du Bois's contention “I sit with Shakespeare and he winces not,” I examine how Keith Hamilton
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7aa645051931d668cf2d7bc484b0a0c2
https://doi.org/10.1017/s0021875819002056
https://doi.org/10.1017/s0021875819002056