Zobrazeno 1 - 6
of 6
pro vyhledávání: '"Amarilli Rava"'
Publikováno v:
Studies in Conservation. 65:P244-P250
The design and evaluation of site-specific injection grouts for the stabilisation of delaminated wall paintings is often challenging to perform in situ, due to constraints such as time, availabilit...
Autor:
David Saunders, Gianluca Accorsi, Giovanni Verri, Diego Tamburini, Samuel Whittaker, Amarilli Rava, Francesco Zerbetto, Angela Acocella, Charlotte Martin de Fonjaudran
Publikováno v:
Measurement. 123:293-297
Autor:
David Saunders, Samuel Whittaker, Diego Tamburini, Sharon Cather, Charlotte Martin de Fonjaudran, Francesco Zerbetto, Gianluca Accorsi, Angela Acocella, Amarilli Rava, Giovanni Verri
The widespread occurrence of Indian yellow on an early 17th-century wall painting in Rajasthan (India) was initially indicated by photo-induced luminescence imaging of the painted scheme in the Badal Mahal within the Garh Palace (Bundi). The presence
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2aef62c7cf2a7b79abf3718663a21677
http://hdl.handle.net/11585/656506
http://hdl.handle.net/11585/656506
Autor:
Giovanni Verri, Francesco Zerbetto, David Saunders, Angela Acocella, Samuel Whittaker, Diego Tamburini, Amarilli Rava, Gianluca Accorsi, Charlotte Martin de Fonjaudran
none 9 si The optical properties (photophysics and imaging) of Indian yellow were investigated both in solid state and in aqueous solution and correlated with its chemical composition. The analyses were corroborated by a theoretical study carried out
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::61b5001f379713b6c14a24cfe2ee46cc
http://hdl.handle.net/11585/616511
http://hdl.handle.net/11585/616511
Autor:
Samuel Whittaker, David Saunders, Charlotte Martin de Fonjaudran, Angela Acocella, Gianluca Accorsi, Amarilli Rava, Diego Tamburini, Francesco Zerbetto, Giovanni Verri
Publikováno v:
Measurement. 138:713
Publikováno v:
Studies in Conservation. 57:S322-S330
The collaboration between Egypt’s Supreme Council of Antiquities (SCA) and the Getty Conservation Institute (GCI) to conserve the tomb of Tutankhamen in the Valley of the Kings provided an opportunity for in-depth investigation of the techniques an