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pro vyhledávání: '"Allison Kay Deutermann"'
Autor:
Allison Kay Deutermann
Publikováno v:
Edinburgh University Press
Much has been written about hearing in Hamlet. Yet this work has overlooked a crucial aspect of the play's interest in audition—its intervention in a turn-of-the-century contest over how plays should sound, and how audiences should hear them. Hamle
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f323b54b33ac34ebec0ce0c1acf73a25
https://doi.org/10.1353/shq.2011.0019
https://doi.org/10.1353/shq.2011.0019
Autor:
Allison Kay Deutermann
Publikováno v:
Shakespeare Quarterly. 68:393-394
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6b60824d69b16a58ea2f3c4c6e2c694b
https://doi.org/10.1353/shq.2017.0042
https://doi.org/10.1353/shq.2017.0042
Autor:
Allison Kay Deutermann
Publikováno v:
Knowing Shakespeare ISBN: 9781349324934
In 1668, Samuel Pepys attended his seventh performance of The Tempest, or The Enchanted Island, a revision of Shakespeare’s play by John Dryden and William Davenant.1 His diary notes that he slipped backstage between acts to ask the actor Henry Har
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9a43a2dd0336f0f324aa5448cfc16cb8
https://doi.org/10.1057/9780230299092_10
https://doi.org/10.1057/9780230299092_10
