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pro vyhledávání: '"Allan W. Atlas"'
Autor:
Allan W. Atlas
Publikováno v:
The Musical Quarterly. 104:71-92
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fae2a87a36aecc1bfe326d9360cd9db6
https://doi.org/10.1093/musqtl/gdab009
https://doi.org/10.1093/musqtl/gdab009
Autor:
Allan W. Atlas
Publikováno v:
Nineteenth-Century British Music Studies ISBN: 9780429052774
This chapter mainly on identifying some of the people who bought concertinas, and deals with some brief comments about the instruments themselves and the prices paid for them. Wheatstone and Co. found an equally lucrative pool of customers among musi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a50664a3bfd300a114f082eca048a0df
https://doi.org/10.4324/9780429052774-7
https://doi.org/10.4324/9780429052774-7
Autor:
Allan W. Atlas
Publikováno v:
Royal Musical Association Research Chronicle. 47:24-86
This article considers the reception of Ralph Vaughan Williams's nine symphonies (and a few non-symphonic works) in New York City (and, occasionally, its suburban environs), from the American premiere of A London Symphony on 30 December 1920 to a per
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b937219abf2c8dd476bceed3d2fec1c6
https://doi.org/10.1080/14723808.2015.1129160
https://doi.org/10.1080/14723808.2015.1129160
Autor:
Allan W. Atlas
Publikováno v:
Music Cultures in Sounds, Words and Images
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c9a1a74a5d750e1a7c17e4320c13ba5e
https://doi.org/10.2307/j.ctv6jm9wd.16
https://doi.org/10.2307/j.ctv6jm9wd.16
Publikováno v:
Renaissance and Reformation. 37:269-271
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::24576309e0fed4635dcbe65c7267dce7
https://doi.org/10.33137/rr.v37i3.22466
https://doi.org/10.33137/rr.v37i3.22466
Autor:
Allan W. Atlas
Publikováno v:
Nineteenth-Century Music Review. 7:105-119
To begin with two observations: (1) of the nine songs that eventually came to comprise Vaughan Williams's Songs of Travel, two – Nos 4 (‘Youth and Love’) and 9 (‘I Have Trod the Upward and the Downward Slope’) – quote material from earlie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fb76c76b4933f20bf063f53945a43171
https://doi.org/10.1017/s1479409800001166
https://doi.org/10.1017/s1479409800001166
Autor:
Allan W. Atlas
Publikováno v:
Journal of the Royal Musical Association. 135:115-144
The large-scale structure of Vaughan Williams's Fantasia on a Theme by Thomas Tallis is defined by three major articulations: at E.5, I.1 and T.5. The proportions these define are remarkably constant across 12 recordings and Vaughan Williams's own me
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b6fd3cbab0a844b20cdd2a68a76ebf42
https://doi.org/10.1080/02690401003597797
https://doi.org/10.1080/02690401003597797
Autor:
Allan W. Atlas
Publikováno v:
Nineteenth-Century Music Review. 3:33-62
Present-day players of the ‘English’ concertina (see Fig. 1) must make a number of important decisions when delving into and performing the large repertory of art music that was written for the instrument in Victorian England. These decisions bec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d54fe39cf68c61e4b46263d3227f45e0
https://doi.org/10.1017/s1479409800000598
https://doi.org/10.1017/s1479409800000598
Autor:
Allan W. Atlas
Publikováno v:
European Music, 1520-1640. :101-129
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::80693056cff73798dd5e0f3693857243
https://doi.org/10.1017/9781846154645.008
https://doi.org/10.1017/9781846154645.008