Zobrazeno 1 - 10
of 55
pro vyhledávání: '"Allan Kaprow"'
Autor:
Marcello Sessa
Publikováno v:
Aisthesis, Vol 15, Iss 1 (2022)
In the present essay, I want to suggest that the public dimension is a crucial issue in Kaprow’s un-artistic art theory, and that this shift from art to “nonart” literally occurs as a transition from private to public: from private contemplatio
Externí odkaz:
https://doaj.org/article/9c7d4b33193d46c18530861965a849f0
Autor:
Marcello Sessa
Publikováno v:
Eikón Imago, Vol 11 (2022)
Il presente contributo intende reinterpretare la nozione di performativo nell’ambito dei tentativi di ontologia dell’arte del modernismo americano di metà Novecento. Vorrebbe anzitutto sottolineare il ruolo anticipatore di certa critica d’arte
Externí odkaz:
https://doaj.org/article/c993c4e201b548959655b81db67b933b
Autor:
Stob, Jennifer1
Publikováno v:
Criticism. Winter2015, Vol. 57 Issue 1, p151-157. 7p.
Autor:
Fredman, Stephen
Publikováno v:
William Carlos Williams Review, 2015 Dec 01. 32(1-2), 33-52.
Autor:
Košta, Franka
Završni rad naziva Allan Kaprow i nastanak hepeninga obuhvaća tumačenje konteksta i vremena u kojem nastaje hepening kao nova vrsta angažirane umjetnosti te život i opus njegovog utemeljitelja, Allana Kaprowa. U uvodnom je dijelu navedena podjel
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::dedac7018abcf9008965f0aabba6e7a7
https://www.bib.irb.hr/1215944
https://www.bib.irb.hr/1215944
Autor:
Sessa, Marcello
Publikováno v:
Eikón / Imago; Vol. 11 (2022): Pre-Modern "Pop Cultures"?; 355-366
Eikón / Imago; Vol. 11 (2022): ¿"Cultura Pop" antes de la Modernidad?; 355-366
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Eikón / Imago; Vol. 11 (2022): ¿"Cultura Pop" antes de la Modernidad?; 355-366
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
In the present essay, I aim to reinterpret the notion of performing in respect of modernist ontologies of art, with a particular focus on American art criticism in the mid-twentieth century. Firstly, I will address to art critics such as Clement Gree
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=RECOLECTA___::e8c15d797de970904145ac59407835e2
https://revistas.ucm.es/index.php/EIKO/article/view/76765
https://revistas.ucm.es/index.php/EIKO/article/view/76765
Autor:
Patrick, Stephen Allan1
Publikováno v:
Library Journal. 6/1/2008, Vol. 133 Issue 10, p95-95. 1/5p.
Autor:
Büscher, Barbara
Publikováno v:
map - media archive performance ; 2013/4 (E-Journal, URL: http://www.perfomap.de)
In den vergangenen Jahren widmete sich eine stetig steigende Anzahl von Ausstellungen und Reenactments der Vergegenwärtigung und Re-Vision der Geschichte von Performance-Kunst und integrierte Aufführungen in diesen Kontext. Sie sind beweglicher Umg
Externí odkaz:
https://slub.qucosa.de/id/qucosa%3A4366
https://slub.qucosa.de/api/qucosa%3A4366/attachment/ATT-0/
https://slub.qucosa.de/api/qucosa%3A4366/attachment/ATT-0/
Autor:
Holert, Tom
Publikováno v:
Artforum International. Feb2012, Vol. 50 Issue 6, p53-56. 3p.
Autor:
Thaise Nardim
Publikováno v:
Conceição/Conception, Vol 2, Iss 1 (2013)
A partir da obra de Allan Kaprow são propostas três lentes para pensar a arte da performance hoje: primeiramente, o entendimento dos happenings como uma forma inicial de teatro performativo; em seguida, a proposição da ausência como valor indiss
Externí odkaz:
https://doaj.org/article/7e07175177dc427ebd339454ad8c9030