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pro vyhledávání: '"Alison C. Desimone"'
Autor:
Alison C. DeSimone
Chapter 3 shows how many collections of printed music compiled miscellaneous pieces from opera and concerts, as well as folk tunes, drinking songs, and even instrumental music into anthologies that could be purchased. These collections offer the oppo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::53412b07d7120aa74c05c08eb493b6d9
https://doi.org/10.3828/liverpool/9781942954774.003.0004
https://doi.org/10.3828/liverpool/9781942954774.003.0004
Autor:
Alison C. DeSimone
Chapter 2 argues that the pasticcio opera tradition, which began in 1706, represented an organized form of musical miscellany. Analyses of the pasticcio opera tradition from the perspective of musical miscellany reveal how these operas were compiled
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6eb6465fbc00590c055db3dded06c672
https://doi.org/10.3828/liverpool/9781942954774.003.0003
https://doi.org/10.3828/liverpool/9781942954774.003.0003
Autor:
Alison C. DeSimone
This book explores the reception of musical miscellany by focusing on how the practice shaped taste, aesthetics, and ultimately, cultural identity in eighteenth-century England. It was through the performance and consumption of musical miscellany hat
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::93bf7ebcc8b636ec2689e3106ca86ea3
https://doi.org/10.3828/liverpool/9781942954774.003.0001
https://doi.org/10.3828/liverpool/9781942954774.003.0001
Autor:
Alison C. DeSimone
Chapter 4 discusses musical miscellany form the point of view of the composer, who was required to master a multitude of musical styles and languages in order to achieve prominence and patronage in London. Analysis of theatrical, vocal, and instrumen
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::326bdf42cc889dee5d5c74a9f4d3010a
https://doi.org/10.3828/liverpool/9781942954774.003.0005
https://doi.org/10.3828/liverpool/9781942954774.003.0005
Autor:
Alison C. DeSimone
In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::625da380e8749fc20a9803f5a9be7fb8
https://doi.org/10.3828/liverpool/9781942954774.001.0001
https://doi.org/10.3828/liverpool/9781942954774.001.0001
Autor:
Alison C. DeSimone
Chapter 1 explores how performers used early public concerts to promote themselves as versatile musicians. In a period before audiences expected and prized concert homogeneity, performers strategically used miscellany at these events in order to appe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1fc3d0da00509f42571a068f51536430
https://doi.org/10.3828/liverpool/9781942954774.003.0002
https://doi.org/10.3828/liverpool/9781942954774.003.0002
Autor:
Alison C. DeSimone
Chapter 5 considers how “variety” and “miscellany” became valued in Enlightenment philosophy, eighteenth-century music history, and more specifically, early music criticism between 1700 and 1720, showing that the response to musical miscellan
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3c997b559d680f9404cf6d596a3babc7
https://doi.org/10.3828/liverpool/9781942954774.003.0006
https://doi.org/10.3828/liverpool/9781942954774.003.0006
Autor:
Alison C. Desimone
Publikováno v:
Notes. 75:81-84
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4f3a095eb26a52fa54fecbb396ca2f7d
https://doi.org/10.1353/not.2018.0071
https://doi.org/10.1353/not.2018.0071
Autor:
Alison C. Desimone
Publikováno v:
Notes. 71:517-519
Dance in Handel's London OperasEMBODIMENT: DANCE, AND OPERA Dance in Handel's London Operas. By Sarah McCleave. (Eastman Studies in Music, vol. 96.) Rochester, NY: University of Rochester Press, 2013. [xiii, 266 p. ISBN 9781580464208. $80.] Music exa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8402a5f3e417d6ca5e9de7db296c51ae
https://doi.org/10.1353/not.2015.0019
https://doi.org/10.1353/not.2015.0019