Zobrazeno 1 - 10
of 36
pro vyhledávání: '"Alice M. Kelly"'
Autor:
Beci Carver
Publikováno v:
English: Journal of the English Association. 71:361-363
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8ec48d8ed097cf67d429dcefd8cee4cc
https://doi.org/10.1093/english/efad001
https://doi.org/10.1093/english/efad001
Autor:
Alice M. Kelly
With the pressing work of decolonising our reading lists gaining traction in UK higher educational contexts, Decolonising the Conrad Canon shows how those author-Gods most associated with the colonial literary canon can also be retooled through decol
Autor:
Alice M. Kelly
This chapter unpicks the structural dominance of whiteness and heteropatriarchy in Conrad scholarship, whereby his works her understood to be exclusively organised around the relationships, (repressed) emotions, and existential angst of white male ch
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e66af082bfe5dc4a31dfaf22f70fed08
https://doi.org/10.3828/liverpool/9781800856462.003.0006
https://doi.org/10.3828/liverpool/9781800856462.003.0006
Autor:
Alice M. Kelly
The conclusion returns to the two central pillars of the book’s structure – breathing spaces where female characters of colour look, talk, desire, and protest, and transmedia afterlives where they outlive their creator. These fannish methodologie
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::07ca10b13f0bfb10ee414dc8678a9af8
https://doi.org/10.3828/liverpool/9781800856462.003.0008
https://doi.org/10.3828/liverpool/9781800856462.003.0008
Autor:
Alice M. Kelly
Moving away from Conrad scholarship’s traditional emphasis on the aberrant lesbian body, namely that of Mrs Fyne in Chance, this chapter turns to the queer affects that animate female characters in Conrad’s writing. From the queer shelter, domest
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5ebed6baf578d5bbf1bca3f93e767505
https://doi.org/10.3828/liverpool/9781800856462.003.0002
https://doi.org/10.3828/liverpool/9781800856462.003.0002
Autor:
Alice M. Kelly
This introduction explores the studious construction of the ‘Conradian’ author-name and its associations with white male literary genius. Analysing the kinds of bodies, desires, and vocabulary that the Conrad canon has come to represent and repro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6381135f6702657a4e18c8cd2dc7e666
https://doi.org/10.3828/liverpool/9781800856462.003.0001
https://doi.org/10.3828/liverpool/9781800856462.003.0001
Autor:
Alice M. Kelly
The final chapter contends that the character of Nina Almayer from Almayer’s Folly is given a feminist afterlife in Belgian film director Chantal Akerman’s 2011 film adaption La Folie Almayer. The chapter positions the film in the context of Aker
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2273fd5511e0ad6a67bf5e0373225eeb
https://doi.org/10.3828/liverpool/9781800856462.003.0007
https://doi.org/10.3828/liverpool/9781800856462.003.0007
Autor:
Alice M. Kelly
This chapter presents the luridly packaged editions of Conrad’s work in the mass-market ‘pulp’ paperbacks of the 1950s and 60s to explore the popular branding of literary genius. Analysing Aïssa’s depiction on pulp covers of An Outcast of th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e7bf2fa6d18bab0971e96e742b9b00dc
https://doi.org/10.3828/liverpool/9781800856462.003.0005
https://doi.org/10.3828/liverpool/9781800856462.003.0005