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Textile Technology and Design addresses the critical role of the interior at the intersection of design and technology, with a range of interdisciplinary arguments by a wide range of contributors: from design practitioners to researchers and scholars
Autor:
Shahriar N, Khan, Alexa, Griffith, Frank, De Proft, Evangelos, Miliordos, Remco W A, Havenith, Dmytro, Bykov, Ana V, Cunha
Publikováno v:
Physical chemistry chemical physics : PCCP. 24(31)
The dissimilatory sulfite reductase enzyme has very characteristic active site where the substrate binds to an iron site, ligated by a siroheme macrocycle and a thiol directly connected to a [Fe
Autor:
Brown, Susan, Winton, Alexa Griffith
Publikováno v:
Magazine of the Decorative Arts Trust; Summer2023, Vol. 10 Issue 1, p10-13, 4p
Autor:
Alexa Griffith Winton
Publikováno v:
A Companion to Contemporary Design since 1945
Autor:
Anca I. Lasc, Deborah Schneiderman, Keena Suh, Karin Tehve, Alexa Griffith Winton, Karyn Zieve
Interior Provocations: History, Theory, and Practice of Autonomous Interiors addresses the broad cultural, historical, and theoretical implications of interiors beyond their conventionally defined architectural boundaries. With provocative contributi
Autor:
Alexa Griffith Winton
Publikováno v:
Interiors. 7:180-184
The connections between textiles, fashion, and the constructed environment are both deep and significant, and there is much scholarship attesting to the natural and necessary overlaps between these...
Autor:
Alexa Griffith Winton
Publikováno v:
Interiors Beyond Architecture ISBN: 9781315647838
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e156133cbe5d25191352e5e7a4e196c6
https://doi.org/10.4324/9781315647838-8
https://doi.org/10.4324/9781315647838-8
Autor:
Alexa Griffith Winton
Publikováno v:
Journal of Design History. 32:109-110
Autor:
Alexa Griffith Winton
Publikováno v:
The Journal of Modern Craft. 8:181-193
This article considers the history and significance of three major hand-woven textile projects commissioned for the United Nations Conference Building, which opened in 1952: the room dividing screens by Dorothy Liebes for the Delegates Dining Room, t