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of 19
pro vyhledávání: '"Alex Dika Seggerman"'
The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenui
Autor:
Alex Dika Seggerman
Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse
Autor:
Alex Dika Seggerman
Publikováno v:
Nka Journal of Contemporary African Art. 2021:40-53
This paper contextualizes the Art and Liberty group within the scope of Egyptian modern art. In doing so, it argues that this movement does not simply translate “central” Parisian surrealism to so-called “peripheral” Cairo. Rather, Art and Li
Autor:
Alex Dika Seggerman
Publikováno v:
Journal of the Society of Architectural Historians. 81:522-523
Autor:
Alex Dika Seggerman
Publikováno v:
Review of Middle East Studies. 53:140-143
Autor:
Alex Dika Seggerman
Publikováno v:
Modernism on the Nile
This chapter argues that late nineteenth-century satirical cartoons and portrait photography in Egypt created a public conversant in a shared visual language of art and politics, and thus laid the groundwork for a modern art movement. The increased a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6256f95e6e6a5512805b9c26762465a2
https://doi.org/10.5149/northcarolina/9781469653044.003.0002
https://doi.org/10.5149/northcarolina/9781469653044.003.0002
Autor:
Alex Dika Seggerman
Publikováno v:
Modernism on the Nile
In chapter 5, Seggerman charts the image of the Egyptian peasant woman and water jug from eighteenth-century travel literature through Orientalist painting, ultimately culminating in the work of two female artists of the Nasser era—Gazbia Sirry (b.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4046781e894026157c973b33c188ce65
https://doi.org/10.5149/northcarolina/9781469653044.003.0006
https://doi.org/10.5149/northcarolina/9781469653044.003.0006
Autor:
Alex Dika Seggerman
Publikováno v:
Modernism on the Nile
This chapter explores the postsurrealist paintings and drawings of Abdel Hadi el-Gazzar (1925–66) that “return” Islamic references to art. Gazzar’s early work indexes the Arab socialist concern for the urban poor and dispossessed, indicating
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4979cbdbb78a8578f5a33ad331c4984f
https://doi.org/10.5149/northcarolina/9781469653044.003.0005
https://doi.org/10.5149/northcarolina/9781469653044.003.0005