Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Alessandro Algardi"'
Autor:
Juan María Cruz Yábar
Publikováno v:
Anales de Historia del Arte, Vol 27, Iss 0, Pp 113-138 (2017)
Examinamos la decoración encargada por Velázquez a Italia con destino al Salón de los Espejos del Alcázar en la década de 1650 y desvelamos cómo los famosos leones fueron ideados con cornucopias sobre las cabezas para que sirvieran de hacheros
Externí odkaz:
https://doaj.org/article/e854d9745ae64cada117d50b3cd209e1
Autor:
Hughes, Anthony1
Publikováno v:
Art History. Mar86, Vol. 9 Issue 1, p94-98. 5p.
Autor:
Morr, Lynell A.
Publikováno v:
Library Journal. 11/15/1985, Vol. 110 Issue 19, p88. 1/8p.
Autor:
Sonia Cavicchioli
Il saggio mette a fuoco la figura di Rinaldo d’Este, figlio del duca Francesco I e di Lucrezia Barberini, nel suo ruolo di cardinale, insperatamente promosso alla porpora nel 1686 per intercessione degli allora sovrani d’Inghilterra Giacomo II St
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4094::25bb84b583f46f3048c4075d6d4ceb32
http://hdl.handle.net/11585/788300
http://hdl.handle.net/11585/788300
Autor:
Cruz Yábar, Juan María
Publikováno v:
Anales de Historia del Arte; Vol. 27 (2017); 113-138
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
We are reviewing the decoration commissioned by Velazquez to Italy bound for the Hall of Mirrors in the Alcazar in the decade of 1650, and we reveal how the famous lions were conceived with cornucopias on the heads to be used as torch stands before h
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=RECOLECTA___::4746c948e0d1b6aad56d00677bbc8c8a
https://revistas.ucm.es/index.php/ANHA/article/view/57484
https://revistas.ucm.es/index.php/ANHA/article/view/57484
Autor:
Émilie Roffidal
Publikováno v:
Histoire de l'art. 73:53-64
Around the Urn of Alessandro Algardi (1634) : Art, Devotion and Power in the Royal Basilica of Saint-Maximin The urn reliquary of the high altar of the basilica of Saint-Maximin was commissioned in Rome and executed by the sculptor Alessandro Algardi