Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Alberto Balducci"'
Publikováno v:
Voices, Vol 21, Iss 2 (2021)
The article traces the development of eight years of “Music and Resilience,” a project of international cooperation between a Palestinian NGO in Lebanon and an Italian CBO, with the aim of building music resources with, and for, the refugee commu
Externí odkaz:
https://doaj.org/article/4d4db3cd5d5849939d962ab14bc3d862
Autor:
Marino Alberto Balducci
Publikováno v:
Romanica Cracoviensia, Vol Tom 23 (2023), Iss 1, Pp 411-421 (2024)
The pandemic is symbolic of an apparent absolute evil that afflicts human materialism in its essence, as seen in the fundamental masterpiece of Italian literature, Dante’s poem. In it, pestilence becomes a symbol of fraud and is associated with the
Externí odkaz:
https://doaj.org/article/353bf49591b247b68f78030148acb898
Autor:
Marino Alberto Balducci
Publikováno v:
Romanica Cracoviensia. 20:227-238
The sacrilege of Vanni Fucci, the beast of Pistoia, in the Divine Comedy This hermeneutic analysis presents a reflection on the complex nature of the concept of theft in the Christian world, compared to the pagan one. The author develops the idea of
Publikováno v:
Voices, Vol 21, Iss 2 (2021)
The article traces the development of eight years of “Music and Resilience,” a project of international cooperation between a Palestinian NGO in Lebanon and an Italian CBO, with the aim of building music resources with, and for, the refugee commu
Autor:
Marino Alberto Balducci
Publikováno v:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, Vol 20 (2020)
Within the mysteries of 'The Divine Comedy', it seems that the culture of Muslims is well known to Dante, above all thanks to the mediation of works such as the 'Book of Muhammad’s Ladder' (Kitāb al‑miʿrāj), the 'Travels of Marco Polo' and var
Autor:
Marino Alberto Balducci
Questo volume offre un esame di dati tecnico-formali e storico-culturali e una valutazione dell'incidenza di emblemi teologici fondamentali nell'arte cristiana dell'età d'oro italiana nella sua massima espressione creativa. Il discorso critico si sv
Publikováno v:
The Modern Language Review. 86:222