Zobrazeno 1 - 9
of 9
pro vyhledávání: '"Akiko Imura"'
Publikováno v:
PLoS ONE, Vol 17, Iss 10 (2022)
Classical ballet dancers stand on tiptoe in the demi–pointe position where the ankle is plantarflexed, and the toes extend around a mediolateral axis passing through the second metatarsal head. Foot sickling, the foot inversion/eversion when the fo
Externí odkaz:
https://doaj.org/article/ebbdfd60e8a647328852dedeb9221cbd
Publikováno v:
Sports Biomechanics. :1-19
Autor:
Akiko Imura, Yoichi Iino
Publikováno v:
Human Movement Science. 60:18-31
This study examined how dancers regulate the hip joint kinetics to coordinate the upper and lower body angular momenta with the increased rotation of pirouette en dehors (pirouette) during the preparation. During the preparation of the pirouette, the
Autor:
Yoichi Iino, Akiko Imura
Publikováno v:
Sports Biomechanics. 16:87-101
The purpose of this study was to investigate the effect of hip external rotation (turnout) on lower limb kinetics during vertical jumps by classical ballet dancers. Vertical jumps in a turnout (TJ) and a neutral hip position (NJ) performed by 12 clas
Publikováno v:
The Proceedings of Conference of Kanto Branch. 2020:17H04
Publikováno v:
Journal of Sports Sciences. 32:517-523
The aim of this study was to determine the relationship between the reductions in momentum of punching arm segments and the impulse of the impact force when boxers throw a punch at a movable target with a mass almost equal to that of the human head.
Publikováno v:
Journal of Applied Biomechanics. 26:484-492
The fouetté turn in classical ballet dancing is a continuous turn with the whipping of the gesture leg and the arms and the bending and stretching of the supporting leg. The knowledge of the movement intensities of both legs for the turn would be fa
Autor:
Maurice R. Yeadon, Akiko Imura
Publikováno v:
Human Movement Science
Human Movement Science, Elsevier, 2010, 29 (6), pp.947. ⟨10.1016/j.humov.2010.08.002⟩
Human Movement Science, Elsevier, 2010, 29 (6), pp.947. ⟨10.1016/j.humov.2010.08.002⟩
International audience; The Fouetté turn in classical ballet is performed repeatedly on one leg with swinging of the free limbs, producing a continued sequence of turns with one turn leading into the next. The purpose of this study was to determine
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e9a3e8463bd644a495479fb13c689d0c
https://hal.archives-ouvertes.fr/hal-00692329/document
https://hal.archives-ouvertes.fr/hal-00692329/document
Publikováno v:
Human movement science. 27(6)
The purpose of this study was to investigate the biomechanics of the continuity and speed change of the Fouette turn. This turn is one of the turns performed on one leg in classical ballet and is unique in terms of its continuity and change in rotati