Zobrazeno 1 - 10
of 40
pro vyhledávání: '"Agostino Di Scipio"'
Autor:
Agostino Di Scipio
Publikováno v:
Appareil, Vol 5
Externí odkaz:
https://doaj.org/article/e03b1da98de44808910d372b0a5b26c3
Autor:
Agostino Di Scipio
Publikováno v:
Musica/Tecnologia. :77-101
Unlike many composers of his generation, Iannis Xenakis personally devised and implemented the sound synthesis techniques used in some of his creative efforts. Eight of his works feature – in part or exclusively – sounds obtained with analogue or
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5d8db3bb8e9a528f751a86662f95d527
https://doi.org/10.36253/music_tec-14418
https://doi.org/10.36253/music_tec-14418
Autor:
Agostino Di Scipio
Publikováno v:
Agostino Di Scipio
In the lecture transcribed here, Di Scipio commented on one of his sound installations, Condotte Pubbliche (public conducts), at the time being featured in his solo exhibition “sound. self. other”, at the Galerie Mario Mazzoli, in Berlin. In rath
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5fe6a33553be4b80b3d23f31e391e30a
Autor:
Dario Sanfilippo, Agostino Di Scipio
Publikováno v:
array. the journal of the ICMA. :28-43
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::43396471672b22738dbed63d5ef9251e
https://doi.org/10.25370/array.v20192655
https://doi.org/10.25370/array.v20192655
Autor:
Agostino Di Scipio
Publikováno v:
ECHO, a journal of music, thought and technology.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7b2804ac4d9f5ebbf43b42ae3b87287f
https://doi.org/10.47041/tkul7223
https://doi.org/10.47041/tkul7223
Autor:
Agostino Di Scipio
Publikováno v:
Timbre Composition in Electroacoustic Music ISBN: 9781315077376
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::780ba430984d3fe7d3f3d5dee94d6a62
https://doi.org/10.4324/9781315077376-13
https://doi.org/10.4324/9781315077376-13
Autor:
Agostino Di Scipio
Publikováno v:
Organised Sound. 20:278-289
The ever-increasing focus on sound in recent creative practices has ideological implications and seems to reframe and problematise ontological perspectives on music. Today it is possible to contrast notions of music as identical with sound (as in the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c9a9092b8f4cf4a6d5c129dd3ffe609c
https://doi.org/10.1017/s1355771815000205
https://doi.org/10.1017/s1355771815000205