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pro vyhledávání: '"Adrian Daub"'
Autor:
Adrian Daub
Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas—and created some of the most indelible characters ever to grace th
Autor:
Adrian Daub
“What a strange invention marriage is!” wrote Kierkegaard. “Is it the expression of that inexplicable erotic sentiment, that concordant elective affinity of souls, or is it a duty or a partnership... or is it a little of all that?” Like Kierk
Autor:
Adrian Daub
Publikováno v:
Hegel Bulletin. 43:395-417
Although his positions on gender were neither particularly radical nor particularly representative of his age, Hegel proved counterintuitively central to early German philosophers elaborating openly feminist positions. The Young Hegelians' critique o
Autor:
Adrian Daub
Publikováno v:
Rethinking Marxism ISBN: 9781003421788
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::832a26a5fdb61487ee3207432fcda618
https://doi.org/10.4324/9781003421788-12
https://doi.org/10.4324/9781003421788-12
Autor:
Adrian Daub
Publikováno v:
Zeitschrift für Ideengeschichte. 16:45-56
Die Zukunft der Sitzung hat ihren Sitz am Almaden Blvd in San José und gibt keine Interviews. Wie kaum ein anderes Unternehmen hat die Firma Zoom Video Communications die Lebens- und die Arbeitswelt der Pandemiejahre umgekrempelt. Vor dem ersten Loc
Autor:
Adrian Daub
Opera and the ballad had an intimate yet vexed relationship. Eighteenth-century opera had occasionally turned to narrative romances or ballads, as one type of aria among many, always in the service of the broader plot. Romantic opera began taking a s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c8ca32706789bda3bc473e5f01ec5c3c
https://doi.org/10.1093/oso/9780190885496.003.0004
https://doi.org/10.1093/oso/9780190885496.003.0004
Autor:
Adrian Daub
The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c308c88ee67a14f160118714558a6d3a
https://doi.org/10.1093/oso/9780190885496.001.0001
https://doi.org/10.1093/oso/9780190885496.001.0001
Autor:
Adrian Daub
The German ballad has long occupied a strange position in German literature. The ballad canon is probably among the most widely known set of poems among everyday Germans, but they have played a secondary role in literary studies. Ballads were poems o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5bd5d515be18dd737a897cb3d7df5468
https://doi.org/10.1093/oso/9780190885496.003.0001
https://doi.org/10.1093/oso/9780190885496.003.0001
Autor:
Adrian Daub
This chapter traces the relationship of the German ballad to the sea. In the early nineteenth century, Germany’s coast was understood as ultimately exotic and regionally specific. By the late nineteenth century, through an upsurge in tourism, throu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3bfad08c3dad8d2e5c2582726d1794a4
https://doi.org/10.1093/oso/9780190885496.003.0009
https://doi.org/10.1093/oso/9780190885496.003.0009
Autor:
Adrian Daub
During the nineteenth century, the ballad was—both in England and in the German-speaking world—frequently understood in hereditary terms: it was a tradition passed down as an heirloom from generation to generation, its authority rested on its sup
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::104e5884939c6a9e20a23ed46f9eb359
https://doi.org/10.1093/oso/9780190885496.003.0006
https://doi.org/10.1093/oso/9780190885496.003.0006