Zobrazeno 1 - 10
of 33
pro vyhledávání: '"Adeline Chevrier-Bosseau"'
Autor:
Adeline Chevrier-Bosseau
Publikováno v:
Transatlantica, Vol 2 (2023)
When choreographer Cathy Marston sought to translate Ethan Frome into dance, it was the “elemental feel” of the novella that inspired her quest for finding ways of dancing “New Englandly,” to paraphrase Emily Dickinson, and to choreograph wha
Externí odkaz:
https://doaj.org/article/fc0ffb0e8a904fafae40a2be046b1f3f
Autor:
Adeline Chevrier-Bosseau
Publikováno v:
Transatlantica, Vol 1 (2020)
This paper will explore Graham’s revaluation of morality, as well as her Whitman-inspired conception of “physical morality” promoting the free expression of the body, and her conception of the universal beauty of the body performing true moveme
Externí odkaz:
https://doaj.org/article/798a596026394e4b852f778c8fb236c2
Autor:
Adeline CHEVRIER-BOSSEAU
Publikováno v:
E-REA, Vol 17, Iss 1 (2019)
This paper examines the connection between crossing borders (state limits, borders between America and Mexico or America and Europe, and temporal borders) and pushing choreographical boundaries in dance pioneer Martha Graham’s ballets created in th
Externí odkaz:
https://doaj.org/article/40881cd6ea914b3781ef8c0a257b8a4e
Autor:
Adeline Chevrier-Bosseau
Publikováno v:
Transatlantica, Vol 1 (2010)
Emily Dickinson was an avid reader of Shakespeare’s works, and several references to his plays and sonnets can be found both in Dickinson’s letters and in her poems. Rather than an intimidating and unsurpassable literary figure, Shakespeare was a
Externí odkaz:
https://doaj.org/article/045abce25ff34b108a69cc7480c2716e
Autor:
Adeline Chevrier-Bosseau
Publikováno v:
European Journal of American Studies, Vol 14, Iss 3
This paper focuses on the role of the feline in Harriet Prescott Spofford’s short story “Circumstance” and three poems by Emily Dickinson (F529, F444, and F1064). In these texts, the feline becomes an alter ego for the woman writer, leading her
Externí odkaz:
https://doaj.org/article/b2bf829b191f493ab50ebfea61de048b
Autor:
Adeline Chevrier-Bosseau
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 110:97-107
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::444b21d8d44141fed52e09f188f41e29
https://doi.org/10.1177/01847678231164349
https://doi.org/10.1177/01847678231164349
Autor:
Adeline Chevrier-Bosseau
Publikováno v:
Cahiers Élisabéthains: A Journal of English Renaissance Studies. 106:84-87
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::02760a7d6429dc0f48ec2b934768d6ab
https://doi.org/10.1177/01847678211044445
https://doi.org/10.1177/01847678211044445
Autor:
Adeline Chevrier-Bosseau
Publikováno v:
Romantisme : la revue du dix-neuvième siècle
Romantisme : la revue du dix-neuvième siècle, 2021
Romantisme : la revue du dix-neuvième siècle, 2021
International audience; La tournée de la ballerine Fanny Elssler aux États-Unis entre 1840 et 1842 eut un impact considérable pour le public américain. Sa présence sur scène déchaina les passions, dans la presse comme chez les spectateurs et s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::59cd3d107d7036926188b10bdd04324d
https://doi.org/10.3917/rom.193.0048
https://doi.org/10.3917/rom.193.0048
Autor:
Adeline Chevrier-Bosseau
Publikováno v:
Revue française d’études américaines. :82-97
Presque trente ans apres la premiere de In the Middle, Somewhat Elevated au Palais Garnier, Blake Works I de William Forsythe vient bousculer les codes et les conventions du ballet classique en son temple. Dans ce ballet, Forsythe utilise l’experti
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2f0b314911927be34b3494eee464f7ea
https://doi.org/10.3917/rfea.165.0082
https://doi.org/10.3917/rfea.165.0082