Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Adeline Arniac"'
Autor:
Adeline Arniac
Publikováno v:
Études Britanniques Contemporaines, Vol 55 (2018)
Externí odkaz:
https://doaj.org/article/634e75ea19654b13aaad45f031d301e8
Autor:
Adeline Arniac
Publikováno v:
Cahiers Victoriens et Edouardiens (2018)
Externí odkaz:
https://doaj.org/article/9d0f45b94d814a17bebf36d11d1b0190
Autor:
Adeline Arniac
Publikováno v:
Études Britanniques Contemporaines, Vol 53 (2017)
Harold Pinter’s one-act play A Kind of Alaska (1982) stages Deborah, a woman who wakes up after twenty-nine years of coma, along with her doctor and sister. Her presence on stage in her hospital bed inevitably raises the question of the perception
Externí odkaz:
https://doaj.org/article/d63a77e595034210a03c371efd49c855
Autor:
Adeline Arniac
Publikováno v:
Études Britanniques Contemporaines, Vol 52 (2017)
Harold Pinter’s decision to stage what originated in a clinical case study, with Deborah’s awakening from a 29-year-long coma, triggers a reflexion on physical forms of dispossession and exposure. By making the diseased body perceptible, the play
Externí odkaz:
https://doaj.org/article/5de679b4aca04dfc880416b488ea9e63
Autor:
Adeline Arniac
Publikováno v:
Études Britanniques Contemporaines, Vol 50 (2016)
This article focuses on Party Time (1991) in the light of a relational conception of commitment. The play underlines interdependency and exposes the failure of a system based on autonomy. Thanks to the apparition of Jimmy, a character both spectral a
Externí odkaz:
https://doaj.org/article/00f23025c6204ec3ae6b3a2004eb0643
Autor:
Adeline Arniac
La pièce en un acte de Harold Pinter, A Kind of Alaska (1982), met en scène Deborah, une femme qui se réveille après vingt-neuf ans de coma, aux côtés de son médecin et de sa sœur. Sa présence sur scène pose inévitablement la question de l
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c0735bc60b79fd1711fa6358ad38f6ef
http://ebc.revues.org/3762
http://ebc.revues.org/3762
