Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Adam Lauder"'
Autor:
Adam Lauder, Jacqueline McLeod Rogers
Publikováno v:
Imaginations: Journal of Cross-Cultural Media Studies, Vol 8, Iss 3, Pp 5-24 (2018)
Externí odkaz:
https://doaj.org/article/b67dfd5d4ff647b49863bf988ec77080
Autor:
Adam Lauder
Publikováno v:
Imaginations: Journal of Cross-Cultural Media Studies, Vol 6, Iss 2, Pp 126-145 (2015)
The late writings and visual art of Bertram Brooker (1888-1955) represent an overlooked bridge between the space-time discourse of British modernist Wyndham Lewis and the Toronto School of Communication. The Canadian artist-advertiser’s multidiscip
Externí odkaz:
https://doaj.org/article/6e773402964a49d59a86f0f41644ecff
Autor:
Adam Lauder
Through a series of focused and interconnected case studies, Out of School explores the long history of information art associated with the Toronto School of Communication. It highlights the perspectives of artists inspired by the speculations of Mar
Autor:
Adam Lauder
Publikováno v:
The American Indian Quarterly. 46:94-122
Autor:
Adam Lauder
Variable Conditions recovers and explores early Canadian encounters between computational media and contemporary art in the late twentieth century, charting a network of developments linking meteorology, computation, and the arts that arose long befo
Autor:
Adam Lauder
Publikováno v:
Public. 29:184-198
Autor:
Adam Lauder
Publikováno v:
Canadian Journal of Communication. 43:315-338
Background The author argues for a reconsideration of Robert Smithson’s relationship to the spatial discourse and proto-media studies of Wyndham Lewis and his Canadian protege Marshall McLuhan. Analysis Through a comparative reading of a lesser-kno
Autor:
Adam Lauder, Lee Rodney
Publikováno v:
Feelings of Structure
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5986b46f9fe613c404045955556e2087
https://doi.org/10.2307/j.ctv941wmm.11
https://doi.org/10.2307/j.ctv941wmm.11
Autor:
Adam Lauder
Publikováno v:
Continuum. 29:913-925
This article examines the conceptual artist Iain Baxter&'s transformation of landscape conventions under the influence of media theory and western popularizations of Zen philosophy. The artist's McLuhan-inspired representations of ‘information’ p