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pro vyhledávání: '"Adam Gussow"'
Autor:
Adam Gussow
Mamie Smith's pathbreaking 1920 recording of'Crazy Blues'set the pop music world on fire, inaugurating a new African American market for'race records.'Not long after, such records also brought black blues performance to an expanding international aud
Autor:
Adam Gussow
The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ('the devil's music'), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert
Autor:
Adam Gussow
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in th
Autor:
Adam Gussow
Between 1920 and 1960, blues was Black popular music. During the decade that followed, however, the Black blues audience largely melted away, redirecting its attentions towards soul music, and a large cohort of white blues fans and blues musicians em
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b65a2ee6c5716e980032f221047d002c
https://doi.org/10.5149/northcarolina/9781469660363.003.0003
https://doi.org/10.5149/northcarolina/9781469660363.003.0003
Autor:
Adam Gussow
Publikováno v:
Whose Blues?
In 2007, the author uploaded his first video to YouTube, a badly-lit and amateurish blues harmonica tutorial. Within a decade, his Dirty-South Blues Harp Channel had accumulated 500 videos, 20 million views, and 70,000 subscribers, and his website, M
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::96d9983cb7eccad3406e9d76a37c9df4
https://doi.org/10.5149/northcarolina/9781469660363.003.0011
https://doi.org/10.5149/northcarolina/9781469660363.003.0011
Autor:
Adam Gussow
Where do the blues come from, when do they come into being, and why has the metaphor of blues “birth” proved so irresistible over the years to music historians, tourism boosters, and others who traffic in the blues? This chapter offers some answe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d4aa67dfbcd736b7801f2bc3a88dffe5
https://doi.org/10.5149/northcarolina/9781469660363.003.0006
https://doi.org/10.5149/northcarolina/9781469660363.003.0006
Autor:
Adam Gussow
Publikováno v:
Whose Blues?
This chapter seeks to do two different things: deconstruct the concept of the “bluesman” as a trope of blues authenticity and, on the other hand, explore the surprisingly variegated group of emotions—blues feelings—that generate, and are repr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8769831710e280e8b55b84b7b1c2d35c
https://doi.org/10.5149/northcarolina/9781469660363.003.0004
https://doi.org/10.5149/northcarolina/9781469660363.003.0004
Autor:
Adam Gussow
Whose Blues is about the way in which we define, interpret, and make sense of the blues in a postmodern moment more than a century removed from the music's origins in the Deep South. If "Blues is black music," as some contemporary claimants insist, w
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::701073d80cf798fb3a075b1a22db5b1d
https://doi.org/10.5149/northcarolina/9781469660363.001.0001
https://doi.org/10.5149/northcarolina/9781469660363.001.0001
Autor:
Adam Gussow
Publikováno v:
Whose Blues?
This chapter, which originally appeared in somewhat different form in New Thoughts on the Black Arts Movement (2006), places that Black literary and cultural revolution in dialogue with another cultural earthquake of the 1960s, the emergence of a mas
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a77b04fc2820416dedbc4c2b386a1284
https://doi.org/10.5149/northcarolina/9781469660363.003.0010
https://doi.org/10.5149/northcarolina/9781469660363.003.0010
Autor:
Adam Gussow
This chapter sketches the outlines of Whose Blues?, framing it as a contemporary conversation between Black bluesism (blues as Black music, Black history, and Black cultural property) and blues universalism (blues as globalized culture and a scene of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d52152a817adeba8d00339c5905c7e0d
https://doi.org/10.5149/northcarolina/9781469660363.003.0001
https://doi.org/10.5149/northcarolina/9781469660363.003.0001