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Akademický článek

Autor: Daniela Mountian

Publikováno v: RUS (São Paulo), Vol 8, Iss 9 (2017)

O artigo analisa a produção dos autorretratos de Daniil Kharms (1905-1942), escritor e dramaturgo russo e um dos fundadores da Oberiu (Associação para uma Arte Real), o último grande coletivo das vanguardas russas do início do século 20.

Externí odkaz: https://doaj.org/article/af70ec4ed9c34440a05871a78ab67d9b

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Dios y la lógica del absurdo. Una visión sobre la naturaleza humana y su condición en la filosofía de Albert Camus

Publikováno v: Dialektika: Journal of Philosophical Research and Social Theory; Vol. 4 No. 9 (2022): January-April; 19-27
Dialektika: Revista de Investigación Filosófica y Teoría Social; Vol. 4 Núm. 9 (2022): Enero-Abril; 19-27

The dawn of Camussian thought projected the existence of an impression comparable to the aesthetic experience in the human being, which is made known as the absurd. Broadly speaking, it consists of a state of contradiction caused by divorce - or the

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=issn27073386::b1030e4087afec867ee5709c8f4db0a8
https://journal.dialektika.org/ojs/index.php/logos/article/view/72

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Autorretratos de Daniil Kharms

Autor: Mountian, Daniela

Publikováno v: RUS (São Paulo); v. 8 n. 9 (2017); 141-170
RUS (Sao Paulo); Vol. 8 No. 9 (2017); 141-170
РУС (Сан-Пауло); Том 8 № 9 (2017); 141-170
RUS (São Paulo)
Universidade de São Paulo (USP)
instacron:USP

The article analyses the production of self-portraits by Daniil Kharms (1905-1942), a Russian writer and playwright and one of the founders of Oberiu (Association for a real art), the last great collective of the Russian avant-garde of the early 20th

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::3b03e20cbc968f1d284b544d55716109
https://www.revistas.usp.br/rus/article/view/128789

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A realistic reception of Samuel Beckett? Circularity/interruption in Mr. Galíndez from Eduardo Pavlovsky

Autor: Berdaguer Rauschenberg, Nicholas Dieter

Publikováno v: CONICET Digital (CONICET)
Consejo Nacional de Investigaciones Científicas y Técnicas
instacron:CONICET

A partir do binômio conceitual circularidade/interrupção enquanto elementos formais recorrentes em Esperando Godot, de Samuel Beckett, o presente artigo se propõe interpretar a obra O senhor Galíndez (1973), do dramaturgo argentino Eduardo Pavlo

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::787066042824d8f10755a184615ab695
http://www.periodicos.ufpb.br/ojs/index.php/moringa/article/view/27179

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