Zobrazeno 1 - 8
of 8
pro vyhledávání: '"ASTRAKHAN, NATALIA"'
Autor:
Astrakhan, Natalia
Publikováno v:
Питання літературознавства / Problems of Literary Criticism. (101):146-162
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=928448
Autor:
Astrakhan, Natalia
Publikováno v:
Питання літературознавства / Problems of Literary Criticism. (98):41-58
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=747361
Autor:
ASTRAKHAN, NATALIA
Publikováno v:
Alfred Nobel University Journal of Philology / Vìsnik Unìversitetu ìm. A. Nobelâ: Serìâ Fìlologìčnì Nauki; 2024, Vol. 27 Issue 1, p9-23, 15p
Autor:
Astrakhan, Natalia
Publikováno v:
Питання літературознавства / Problems of Literary Criticism. (95):7-19
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=623918
Autor:
Astrakhan, Natalia
The article considers the literary problem of a literary work interpretation in the context of the general cultural problem of understanding. The attitude of poststructuralist literary criticism to interpretation is characterized on the basis of the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::51b2e6e2739ba1e4fe5e4fe73d3ed80e
Autor:
Astrakhan, Natalia
Publikováno v:
Pitannâ lìteraturoznavstva; № 98 (2018); 41-58
Питання літературознавства; № 98 (2018); 41-58
Питання літературознавства; № 98 (2018); 41-58
The article deals with the features of artistic conceptualization of memory in the novel by U. Eco “The Mysterious Flame of Queen Loana”. In the artistic experiment, organized by the Italian author, the personality (episodic) memory is matched ag
Autor:
Astrakhan, Natalia
У статті розглянуто працю польського письменника-фантаста С. Лема «Філософія випадку» на тлі сучасної теорії літератури, зокрема теоре
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______2809::37bfb7f15092f529e682ed895539eafd
http://esnuir.eenu.edu.ua/handle/123456789/5830
http://esnuir.eenu.edu.ua/handle/123456789/5830
Autor:
Carlos Fernando Dimeo Álvarez, Tomasz Jerzy Brenet, Aneta Glowacka, Aleksandra Hasior, Anieszka Palion-Musiol
The book focuses on two perspectives: the scenological and the literary, and the visions of the spectator and those of the reader. If we refer to the spectator as the one who sees, the orientation is in the angle of the scene, but when the invocation