Zobrazeno 1 - 10
of 13
pro vyhledávání: '"ARNIE COX"'
Disanalogies Between Physical Space and Metaphoric Musical Space: Response to Jonathan Still’s Essay
Autor:
Arnie Cox
Publikováno v:
Empirical Musicology Review, Vol 10, Iss 1-2, Pp 135-137 (2015)
Jonathan Still's exploration of differences in how dancers and musicians experience and conceptualize beats, rhythm, and meter raises issues that scholars interested in these temporal components of music ought to consider, particularly with respect t
Externí odkaz:
https://doaj.org/article/6e8d6acb28e94ec78b68591997bf6291
Autor:
Arnie Cox
Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and
Autor:
Arnie Cox
Publikováno v:
Music, Analysis, and the Body
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::beb164d31c163a8319e24565d22d1dd5
https://doi.org/10.2307/j.ctv1q26wr0.9
https://doi.org/10.2307/j.ctv1q26wr0.9
Autor:
Rebecca Fülöp, Arnie Cox
Publikováno v:
Music, Sound, and Silence in Buffy the Vampire Slayer ISBN: 9781315090740
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4b31303f9f9ec06c2b6b18900943ef15
https://doi.org/10.4324/9781315090740-5
https://doi.org/10.4324/9781315090740-5
Autor:
Arnie Cox
Publikováno v:
Music and Gesture
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6e2095ec2d37b8bb71f94b592dd6a584
https://doi.org/10.4324/9781315091006-4
https://doi.org/10.4324/9781315091006-4
Autor:
Arnie Cox
Publikováno v:
Music Theory Spectrum. 28:291-298
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::aae7ad87fda5f966e3242b354bd6adb1
https://doi.org/10.1525/mts.2006.28.2.291
https://doi.org/10.1525/mts.2006.28.2.291
Autor:
Arnie Cox
Publikováno v:
Musicae Scientiae. 5:195-212
Research into the bodily basis of musical meaning has focused on conceptual metaphor and image schemata, but the processes whereby embodied experience becomes relevant to music conceptualization remains largely unexplained. This paper offers an accou
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9bbebc9e1c224c49cab0eecc44742600
https://doi.org/10.1177/102986490100500204
https://doi.org/10.1177/102986490100500204
Autor:
Jerrold Levinson, Arnie Cox, Bruno H. Repp, Charles D. Morrison, Fred Everett Maus, Justin London
Publikováno v:
Music Perception. 16:463-494
At the annual meeting of the Society for Music Theory in Chapel Hill, NC, in early December 1998, a symposium on Jerrold Levinson's book, Music in the Moment, was held. The moderator was Justin London, and his introduction was followed by several set
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d8317013e4399ea834d4707264f1e7d9
https://doi.org/10.2307/40285805
https://doi.org/10.2307/40285805
Autor:
Arnie Cox
Publikováno v:
Music Theory Online. 19
[1] Some fifteen years ago there was a flourish of interest among music theorists in the work of Mark Johnson on metaphor and embodied reasoning (Johnson 1987), and applications of this work drew attention to the hidden role of image schemas, such as
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b9a5e0a37ac99d5ab0bba00cb86a90d6
https://doi.org/10.30535/mto.19.1.7
https://doi.org/10.30535/mto.19.1.7