Zobrazeno 1 - 6
of 6
pro vyhledávání: '"A.K. Lyadov"'
Autor:
Anatoly V. Pchelintsev
Publikováno v:
Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie. :201-206
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3bfd631b1d676e21493987c9f73fb8d2
https://doi.org/10.17223/22220836/38/18
https://doi.org/10.17223/22220836/38/18
Autor:
Natalia V. Vinokurova
The author analyzes the musical texture of pianoforte miniatures written by the Russian composer, A.K. Lyadov: “Prelude” op. 42 no.2 H-dur, “Prelude” op. 27 no. 2 H-dur, “Prelude” op. 11 no.1 h-mol, “Birulki” op.2, piece no.1, aiming
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c17b849eacda871230f833bdd3d890b9
https://openrepository.ru/article?id=755288
https://openrepository.ru/article?id=755288
Publikováno v:
PHILHARMONICA. International Music Journal. :102-122
The author is the first to raise the problem of reconstruction of the musical-epic traditions of Novgorod region. The research object is chant-declamation forms of folklore, typologically related to the bylina tradition. The research subject is their
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::03d8456ad4885b152b3ad788f8f54cdc
https://doi.org/10.7256/2453-613x.2021.1.35025
https://doi.org/10.7256/2453-613x.2021.1.35025
Autor:
Anna S. Krivtsova
Publikováno v:
Observatory of Culture. 17:152-163
Vasily Vasilyevich Bessel (1843—1907) entered the history of Russian and world music culture as one of the largest music publishers. His company was occupying one of the leading positions in terms of production volume in the Russian music printing
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d7ca1fc4546f29c8d535eda596738850
https://doi.org/10.25281/2072-3156-2020-17-2-152-163
https://doi.org/10.25281/2072-3156-2020-17-2-152-163
Publikováno v:
Tenders Info Reports. 10/26/2019, pN.PAG-N.PAG. 1p.
Autor:
Barrie Martyn
This study is the first to consider all three of Rachmaninoff's careers in detail. After surveying his place in Russian musical history and his creative activity, the author examines, with musical examples, each working chronological order against th