Zobrazeno 1 - 10
of 335
pro vyhledávání: '"A. TARKOVSKY"'
Autor:
Dviniatina Jamila R.
Publikováno v:
Художественная культура, Iss 1, Pp 102-137 (2024)
The broad topic “Tarkovsky and painting” contains commonalities, such as the director’s citing of the paintings by Pieter Bruegel or Leonardo da Vinci, but there are also less explored aspects. The latter include A. Tarkovsky’s method of work
Externí odkaz:
https://doaj.org/article/e68d27832785452ea688af21efecac43
Autor:
Zykova I.V.
Publikováno v:
Слово.ру: балтийский акцент, Vol 15, Iss 1, Pp 124-143 (2024)
The article delves into the intricacies of integrating poetic texts into the discourse of authorial cinema. It begins by examining the multifaceted interaction between cinema and poetry within contemporary artistic culture, framing author cinemat
Externí odkaz:
https://doaj.org/article/c6c980e07beb40aba39d1d8c7ba59378
Autor:
Vladimira Ilić
Publikováno v:
Etnoantropološki Problemi, Vol 19, Iss 1 (2024)
The aim of this research is the cultural, temporal, and spatial displacement of an individual from their native country as a trigger for nostalgia. Consequently, the material for this analysis is drawn from the artistic film Nostalghia (1983), the fi
Externí odkaz:
https://doaj.org/article/0435e04892774b7b97598b1158be4129
Autor:
Philip Flock
Publikováno v:
Síntesis. Revista de Filosofía, Vol 6, Iss 2, Pp 85-111 (2023)
The object of investigation is a systematic comparison between Marc Richir’s phenomenology of affectivity and Andrei Tarkovsky’s conception of film as a living image of time, illustrated by the work “Stalker”. The idea of “archaic” or “
Externí odkaz:
https://doaj.org/article/94aea11a9bea457d9c99fcd83679eb00
Autor:
E. L. Katasonova
Publikováno v:
Ежегодник Япония, Vol 52, Pp 229-250 (2023)
Japan Yearbook 2022 featured an article which reflected on the award-winning Japanese film Drive My Car (Doraibu mai-ka), directed by Hamaguchi Ryūsuke. It received the Academy Award for Best International Feature Film. The movie is an authentic and
Externí odkaz:
https://doaj.org/article/87d12a52493b4510a6a55b5df3b38113
Autor:
Markham, Peter, author
Publikováno v:
The Art of the Filmmaker : The Practical Aesthetics of the Screen, 2023, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780197631522.003.0024
Autor:
Betko, Irina P.
Publikováno v:
Проблемы исторической поэтики / The Problems of Historical Poetics. 21(2):274-294
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1132240
Autor:
Mironova, Marchela
Publikováno v:
Филологически форум / Philological Forum. 9(1 (17)):147-158
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1125998
Publikováno v:
Aisthesis, Iss 72, Pp 54-71 (2022)
En su libro The Cinematic Footprint (2012), la teórica de los estudios sobre el cine Nadia Bozak propone un análisis de la producción cinematográfica basado en su relación con los consumos y los recursos naturales de los que ésta depende. Desde
Externí odkaz:
https://doaj.org/article/47478292d3f149f3997216ebd7df3aa3