Zobrazeno 1 - 10
of 76
pro vyhledávání: '"792.02"'
Autor:
Lukan, Blaž
Publikováno v:
Slovenska dramatika, pp. 167-173, 2012.
Prispevek se ukvarja s poskusom opredelitve novih tekstnih praks, ki se v slovenskem gledališču pojavljajo v zadnjih letih in jih uvrščamo v metodološko polje postdramskega, kakor ga je v delu Postdramsko gledališče opredelil nemški teoretik
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3505::c6be563c51b33737569734c3fd5e33bf
https://repozitorij.uni-lj.si/IzpisGradiva.php?id=147965
https://repozitorij.uni-lj.si/IzpisGradiva.php?id=147965
Publikováno v:
Імідж сучасного педагога; № 5(194) (2020): Ефективність надлишкових знань учителя; 5-8
Image of the modern pedagogue; No. 5(194) (2020): Effectiveness of redundant teacher’s knowledge; 5-8
Wizerunek współczesnego pedagoga; Nr 5(194) (2020): Ефективність надлишкових знань учителя; 5-8
Image of the modern pedagogue; No. 5(194) (2020): Effectiveness of redundant teacher’s knowledge; 5-8
Wizerunek współczesnego pedagoga; Nr 5(194) (2020): Ефективність надлишкових знань учителя; 5-8
In the article special attention is paid on the feasibility of issue about subsidiarity of such components as students’ «knowledge» and «competence» in New Ukrainian School context. We have defined the importance of «knowledge component» in p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=scientific_p::6f08ccb9bf4c09157b7d541f98c3f2be
http://isp.poippo.pl.ua/article/view/213587
http://isp.poippo.pl.ua/article/view/213587
Формування «ексцентричної» поетики авангардистського театру: «Бик на даху» Жана Кокто – Дарьюса Мійо
Autor:
Marina Grynyshyna, Nataly Vladimirova
Publikováno v:
Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art; Том 3, № 1 (2020); 46-53
Вестник Киевского национального университета культуры и искусств. Серия: Сценическое искусство; Том 3, № 1 (2020); 46-53
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво; Том 3, № 1 (2020); 46-53
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво, Vol 3, Iss 1, Pp 46-53 (2020)
Вестник Киевского национального университета культуры и искусств. Серия: Сценическое искусство; Том 3, № 1 (2020); 46-53
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво; Том 3, № 1 (2020); 46-53
Вісник Київського національного університету культури і мистецтв. Серія: Сценічне мистецтво, Vol 3, Iss 1, Pp 46-53 (2020)
Мета статті – поглибити дослідження авангардистської театральної культури 1920-х рр., зосередившись на проблемі формування її «ексцентр
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fa04e06329c7e4175fb869649e7773dd
https://doi.org/10.31866/2616-759x.3.1.2020.204357
https://doi.org/10.31866/2616-759x.3.1.2020.204357
Ritual, scenography and illusion : Andrea Pozzo and the religious theatre of the seventeenth century
Autor:
Horn, Andrew
In this PhD thesis I offer an examination of the work of Jesuit Andrea Pozzo (1642-1709), an artist known primarily for his works of perspectival fresco painting. Pozzo's development, his career and his multifaceted practice––which included paint
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.723857
Autor:
Westling, Carina E. I.
This thesis presents my original contribution to knowledge, a combination of critical media and performance theories to analyse the production and augmentation of postdigital experiential spaces in Punchdrunk Theatre Company. Distributed agency is ke
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.714814
Autor:
Hepplewhite, Elizabeth
This thesis investigates the expertise of applied theatre practitioners and proposes a concept of 'responsivity' to define their skills, knowledge, qualities and understanding. Practice-responsive research methods were devised to analyse how artists
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722292
Autor:
Worden, Jessica
This thesis formulates a practice-based approach to performances of breathlessness on the page. It investigates breathlessness as a subject of creative practice through performance writing, creating different works that function as material object, s
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720020
Autor:
Simke, Ann-Christine
This thesis consists of three substantial case studies exploring the work of dramaturgy departments at three different theatres in Berlin during the twentieth and twenty-first centuries: at the Deutsches Theater Berlin under the directorship of Max R
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.716908
Autor:
Hopfinger, Sarah
This thesis develops an ecological performance practice using a practice-as-research methodology. It explores how performance can engage the ecological, where performance (in process and product) is understood as an ecology of diverse humans and nonh
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.712634
Autor:
Wilson, Louise Ann
The aim of this practice-as-research project is to contribute to the emerging field of ‘socially engaged scenography’ through the creation of site-specific walking-performance pursued in tandem with theoretical inquiry giving particular emphasis
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.705966