Zobrazeno 1 - 10
of 160
pro vyhledávání: '"780.92"'
Autor:
Gerber, Marelize
Text in Afrikaans
In hierdie studie word Mimi Coertse se bydrae tot die uitvoering van die Afrikaanse kunslied in diepte ondersoek. Die kunslied word omskryf en die ontwikkeling van die kunslied in Westerse kunsmusiekgeskiedenis en in Suid- Afri
In hierdie studie word Mimi Coertse se bydrae tot die uitvoering van die Afrikaanse kunslied in diepte ondersoek. Die kunslied word omskryf en die ontwikkeling van die kunslied in Westerse kunsmusiekgeskiedenis en in Suid- Afri
Externí odkaz:
http://hdl.handle.net/10500/3114
Autor:
Gerber, Marelize
Text in Afrikaans
In hierdie studie word Mimi Coertse se bydrae tot die uitvoering van die Afrikaanse kunslied in diepte ondersoek. Die kunslied word omskryf en die ontwikkeling van die kunslied in Westerse kunsmusiekgeskiedenis en in Suid- Afri
In hierdie studie word Mimi Coertse se bydrae tot die uitvoering van die Afrikaanse kunslied in diepte ondersoek. Die kunslied word omskryf en die ontwikkeling van die kunslied in Westerse kunsmusiekgeskiedenis en in Suid- Afri
Externí odkaz:
http://hdl.handle.net/10500/3114
Autor:
Milli, Pietro
La thèse, divisée en trois parties, constitue une introduction à l’univers musical de Giacomo Manzoni (Milan, 1932). La première partie aborde huit dimensions de l’œuvre du compositeur dans une perspective analytique (matériau, temps, dynam
Externí odkaz:
http://www.theses.fr/2018NORMR045
Autor:
Lassauzet, Benjamin
Claude Debussy n’est pas habituellement un compositeur dont on associe la production musicale à l’humour. Il existe pourtant un Debussy humoriste, trop souvent oublié, qu’il est nécessaire de réhabiliter afin d’obtenir une image plus fid
Externí odkaz:
http://www.theses.fr/2017STRAC034
Autor:
Izquierdo König, José Manuel
This dissertation explores the choices involved in being a composer in Latin America during the last decades of the eighteenth century and the first decades of the nineteenth century. My primary interest is to understand how composers adapted or not-
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.723526
Autor:
Michael, C.
This thesis is a study of selected compositions for contemporary theatre and ancient Greek drama of the Greek composer Manos Hadjidakis from 1944 to 1966. It is a study of their social resonances, their cultural contexts and their role in the formati
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.716130
Autor:
Schultz, Joseph
Despite his prominent position in the history of Soviet music, Aram Il’ich Khachaturian remains a neglected figure in Western scholarship. There are a number of reasons for this state of affairs (one such being the prevailing view, originating from
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.716271
Autor:
Willson, Jake R.
The works presented in this portfolio represent an ongoing exploration of intervallic techniques that have been informed by my investigation into the music of Thomas Adès. The accompanying commentaries outline the various ways in which techniques ar
Externí odkaz:
https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.714755
Autor:
Čurda, Martin
The Czech composer Pavel Haas (1899–1944) is commonly positioned in the history of twentieth-century music as a representative of Leoš Janáček‘s compositional school and as one of the Jewish composers imprisoned by the Nazis in the concentrati
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709625
Bach’s Passiontide Cantatas do not exist in a vacuum but rather were created in a context that has long been under appreciated. Since Passion motifs appear throughout Bach’s own library, found in the sermons, hymnals and commentaries he seemed to
Externí odkaz:
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.725830