Zobrazeno 1 - 10
of 13
pro vyhledávání: '"18th-Century Opera"'
Autor:
Over Berthold
Publikováno v:
Musicology Today, Vol 17, Iss 1, Pp 14-33 (2020)
Farinelli came to Venice only when his career was already well advanced. In 1728/29 he performed there in two operas, Catone in Utica by Leonardo Leo and Semiramide riconosciuta by Nicola Porpora. These operas needed to become a financial success bec
Externí odkaz:
https://doaj.org/article/d6fd390b22c14d6e9ad3a46d1275790e
'Une partie essentielle du spectacle'. Il ballo nelle feste teatrali torinesi del secondo Settecento
Autor:
Annarita Colturato
Publikováno v:
CoSMO, Iss 16 (2020)
From La vittoria d’Imeneo, staged at the Teatro Regio in June 1750, by Giuseppe Bartoli and Baldassare Galuppi, to the moment when the striking French events of the end of the century upset the international chessboard, the festa teatrale was the g
Externí odkaz:
https://doaj.org/article/e086b639d7634e738ae422f5486f21dd
Autor:
Meyer, Stephen
Publikováno v:
Opera Quarterly. Winter2011, Vol. 27 Issue 1, p135-138. 4p.
Autor:
Howard, Patricia
Publikováno v:
Musical Times. Spring2010, Vol. 151 Issue 1910, p113-116. 4p.
Autor:
Olin, Elinor1 (AUTHOR)
Publikováno v:
Journal of Musicological Research. Jan-Mar2016, Vol. 35 Issue 1, p61-63. 3p.
Autor:
Berthold Over
Publikováno v:
Musicology Today, Vol 17, Iss 1, Pp 14-33 (2020)
Farinelli came to Venice only when his career was already well advanced. In 1728/29 he performed there in two operas, Catone in Utica by Leonardo Leo and Semiramide riconosciuta by Nicola Porpora. These operas needed to become a financial success bec
Autor:
HOWARD, PATRICIA
Publikováno v:
Musical Times. Winter2013, Vol. 154 Issue 1925, p116-118. 3p.
Autor:
McClelland, Clive
Publikováno v:
Early Music. Aug2011, Vol. 39 Issue 3, p422-424. 3p.
Autor:
Rushton, Julian1
Publikováno v:
Music & Letters. Feb2011, Vol. 92 Issue 1, p123-125. 3p.
'Une partie essentielle du spectacle'. Il ballo nelle feste teatrali torinesi del secondo Settecento
Autor:
Colturato, Annarita
Publikováno v:
CoSMO, Iss 16 (2020)
From La vittoria d’Imeneo, staged at the Teatro Regio in June 1750, by Giuseppe Bartoli and Baldassare Galuppi, to the moment when the striking French events of the end of the century upset the international chessboard, the festa teatrale was the g