Zobrazeno 1 - 10
of 25
pro vyhledávání: '"陈歌"'
Publikováno v:
Journal of Engineering Geology / Gongcheng Dizhi Xuebao; 2023, Vol. 31 Issue 4, p1474-1485, 12p
Publikováno v:
Chinese Journal of Reparative & Reconstructive Surgery; 2017, Vol. 31 Issue 9, p1036-1042, 7p, 2 Black and White Photographs, 3 Charts
Publikováno v:
Research of Environmental Sciences; Feb2017, Vol. 30 Issue 2, p306-314, 9p
Publikováno v:
Shandong Medical Journal; 8/4/2017, Vol. 57 Issue 29, p95-97, 3p
Autor:
ENOMOTO, Yasuko
Publikováno v:
東洋史研究. 69(3):482-448
It is well known that the recital "Yelaixiang Rhapsody" (Jpns. "Yeraishan rapusodii, " Chns. "Yelaixiang huanxiangqu" 夜來香幻想曲) by film actress Li Xianglan 李香蘭 (Jpns. Ri Koran, whose Japanese name was Yamaguchi Yoshiko 山口淑子),
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::af3efc76e2687b7c0946c225ca2b948d
http://hdl.handle.net/2433/180048
http://hdl.handle.net/2433/180048
Autor:
Wai-Siam Hee
In a work that will force scholars to re-evaluate how they approach Sinophone studies, Wai-Siam Hee demonstrates that many of the major issues raised by contemporary Sinophone studies were already hotly debated in the popular culture surrounding Chin
Autor:
Liu Chingchih
By the end of the nineteenth century, after a long period during which the weakness of China became ever more obvious, intellectuals began to go abroad for new ideas. What emerged was a musical genre that Liu Chingchih terms'New Music.'With no direct
Autor:
Yau Shuk-ting, Kinnia
Drawing on first-hand materials collected from the Chinese and Japanese literature as well as interviews with more than twenty filmmakers and scholars Kinnia Shuk-ting Yau provides a solid historical account of the complex interactions between Japane
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, w
Autor:
Ya-Hui Cheng
Ya-Hui Cheng examines the emergence of popular music genres – jazz, rock, and hip-hop – in Chinese society, covering the social underpinnings that shaped the development of popular music in China and Taiwan, from imperialism to westernization and