Zobrazeno 1 - 3
of 3
pro vyhledávání: '"横山大観"'
Autor:
CHEN, Yijie
Publikováno v:
世界の日本研究 = JAPANESE STUDIES AROUND THE WORLD. 2022:102-112
This article seeks the origin of the red sun (hong taiyang in Chinese), a motif that Chinese painter Fu Baoshi used in his works during the 1950s and 1960s. A similar motif can be found in some works made by Japanese painters during the 1920s and 193
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::774a53cf21cf2e90305c1c3e50b50a61
http://id.nii.ac.jp/1368/00007956/
http://id.nii.ac.jp/1368/00007956/
Autor:
[Editor]
Publikováno v:
美術研究. (410):88-89
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::885d9d2b9e5454547dfa8b2c5d14285f
https://tobunken.repo.nii.ac.jp/records/6056
https://tobunken.repo.nii.ac.jp/records/6056
Autor:
Sato, Doshin
Publikováno v:
美術研究. (345):16-28
According to the theory of Mr. Teisuke TODA, Chinese ink painting reduced colours to monochrome for attaining three-dimensional illusion and there polychromy and monochromy were interchangeable. On the other hand, in Japan, ink painting was regarded
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::ef7fdf93cd2d9e6854bbb948ecc12fa6
https://tobunken.repo.nii.ac.jp/records/6293
https://tobunken.repo.nii.ac.jp/records/6293