Zobrazeno 1 - 10
of 16
pro vyhledávání: '"杨万运"'
Publikováno v:
Journal of Drainage & Irrigation Machinery Engineering / Paiguan Jixie Gongcheng Xuebao; Oct2024, Vol. 42 Issue 10, p997-1004, 8p
Autor:
Cheng Chao-Yang, 鄭朝陽
99
The purpose of this thesis is to demonstrate mothers’ images and strength in difficult times via Bertolt Brecht’s three mothers: Vlassova in The Mother, Mother Courage in Mother Courage and Her Children and Grusha in The Caucasian Chalk C
The purpose of this thesis is to demonstrate mothers’ images and strength in difficult times via Bertolt Brecht’s three mothers: Vlassova in The Mother, Mother Courage in Mother Courage and Her Children and Grusha in The Caucasian Chalk C
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/80541575643155976065
98
The thesis, “The Three Female Protagonists’ Subjectivity in George Bernard Shaw’s Saint Joan, Major Barbara and Pygmalion”, explores how women can find self-identity in male-dominated societies. Using the three female protagonists in
The thesis, “The Three Female Protagonists’ Subjectivity in George Bernard Shaw’s Saint Joan, Major Barbara and Pygmalion”, explores how women can find self-identity in male-dominated societies. Using the three female protagonists in
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/ph35fh
Autor:
Tseng Ching-Ting, 曾慶婷
98
This thesis is an attempt to make an inquiry into the economical and psychological effects that cause illusion and disillusion of the three protagonists in Tennessee Williams’ works, namely, Tom Wingfield in The Glass Menagerie (1944), Chan
This thesis is an attempt to make an inquiry into the economical and psychological effects that cause illusion and disillusion of the three protagonists in Tennessee Williams’ works, namely, Tom Wingfield in The Glass Menagerie (1944), Chan
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/v6bx7r
Autor:
Pei-Hsin Liu, 劉佩鑫
97
After thorough study of Shakespeare’s four great tragedies: Hamlet, Othello, King Lear and Macbeth, I have found that Shakespeare’s tragedies fit into a general formula that all the protagonists have made some kind of misjudgement under t
After thorough study of Shakespeare’s four great tragedies: Hamlet, Othello, King Lear and Macbeth, I have found that Shakespeare’s tragedies fit into a general formula that all the protagonists have made some kind of misjudgement under t
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/98743651298946334364
Autor:
Tse-yue Wu, 吳志宇
96
Over a span of seventeen years, from 1938 to 1955, Bertolt Brecht used the life of the historical figure, Galileo Galilei, as the background to create the three versions of the Galileo play. Part One of this thesis attempts to explore the thr
Over a span of seventeen years, from 1938 to 1955, Bertolt Brecht used the life of the historical figure, Galileo Galilei, as the background to create the three versions of the Galileo play. Part One of this thesis attempts to explore the thr
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/78539171686538919776
Autor:
Wei, Yu-Fang, 魏郁芳
93
This thesis is to discuss women’s freedom of choice as represented by three protagonists, i.e. Nora Helmer in Ibsen’s A Doll’s House (1879), Ellida in another Ibsen’s play The Lady from the Sea (1888), and Nora Wald in Clare Boothe Lu
This thesis is to discuss women’s freedom of choice as represented by three protagonists, i.e. Nora Helmer in Ibsen’s A Doll’s House (1879), Ellida in another Ibsen’s play The Lady from the Sea (1888), and Nora Wald in Clare Boothe Lu
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/td7dvq
Autor:
Shr-tzung Tsai, 蔡世宗
93
The objective of this thesis is to examine the dialectic structure of Stoppard’s four love plays, The Real Thing, (1982), Arcadia (1993), The Invention of Love (1997), and Shakespeare in Love (a film script in collaboration with Marc Norman
The objective of this thesis is to examine the dialectic structure of Stoppard’s four love plays, The Real Thing, (1982), Arcadia (1993), The Invention of Love (1997), and Shakespeare in Love (a film script in collaboration with Marc Norman
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/05413031776711531597
Autor:
Ching-yu Hsueh, 薛清鈺
92
Generally, readers with traditional perspectives will analyze the persona Oedipus with the themes of “Destiny,” “Oracle,” and “Tragic Flaw,” as portrayed in Sophocles’ three Theban plays (Oedipus the King, Oedipus at Colonus, an
Generally, readers with traditional perspectives will analyze the persona Oedipus with the themes of “Destiny,” “Oracle,” and “Tragic Flaw,” as portrayed in Sophocles’ three Theban plays (Oedipus the King, Oedipus at Colonus, an
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/96889100078202302335