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Autor:
Monica Tseng, 曾方鈺
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In Zeami Motokiyo’s世阿彌元清 (1363-1443) Noh aesthetics, the image of hana is central to his philosophy of the Noh art. In Fushikaden風姿花傳, The Teaching of the Flowers on the Styles of Noh Performance, Zeami uses hana or cherry
In Zeami Motokiyo’s世阿彌元清 (1363-1443) Noh aesthetics, the image of hana is central to his philosophy of the Noh art. In Fushikaden風姿花傳, The Teaching of the Flowers on the Styles of Noh Performance, Zeami uses hana or cherry
Externí odkaz:
http://ndltd.ncl.edu.tw/handle/02894954264481213204
