Zobrazeno 1 - 10
of 11
pro vyhledávání: '"大坂画壇"'
Publikováno v:
関西大学芸術学美術史研究学会eジャーナル. 3:1-8
Tatehiko Suga (1878－1963) is one of the leading painters in modern Japan. He had lived in Osaka, loved Osaka. He published the art book "Tokyo and Osaka" with Tsunetomi Kitano in 1932. Tatehiko painted 12 pictures, people in Osaka around Meiji 20 t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::9349af7e1f099bc0c5e010f89ad7bd16
https://kansai-u.repo.nii.ac.jp/records/23796
https://kansai-u.repo.nii.ac.jp/records/23796
Publikováno v:
KU-ORCASが開くデジタル化時代の東アジア文化研究 : オープン・プラットフォームで浮かび上がる、新たな東アジアの姿. :141-154
It goes without saying that compiling a bibliography is valuable for various studies in the humanities, as they provide essential starting points for writing a research paper. In this paper, through focusing on the studies of the Osaka Painting Schoo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::34499fab1a9798e1ec86114bf2ce31c1
https://kansai-u.repo.nii.ac.jp/records/22573
https://kansai-u.repo.nii.ac.jp/records/22573
Publikováno v:
社会的信頼研究 = Trust and Society. 2:43-52
本研究では、地域文化資源として「大坂画壇」を取り上げ、大坂画壇の鑑賞が鑑賞者の大阪と大阪人への愛着、大阪文化への興味に与える影響を検討した。調査には近畿圏在住の57名の
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::66ac30277834b13001118d214a3fa64d
https://kansai-u.repo.nii.ac.jp/records/21636
https://kansai-u.repo.nii.ac.jp/records/21636
Publikováno v:
関西大学東西学術研究所紀要. 52:3-14
Throughout his career, Nagasawa Rosetsu, like many painters of the Osaka Painting Schools, incorporated the styles of various schools into his works. Art historians have long defined Rosetsu as an artist solely of Kyoto style, but in this article, I
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::bc99148676baefa5e2e789af2e40106e
https://kansai-u.repo.nii.ac.jp/records/13046
https://kansai-u.repo.nii.ac.jp/records/13046
Publikováno v:
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies. 12:3-21
Looking at paintings by Nagasawa Rosetsu, the so-called eccentric painter, one finds characteristics that seem to resemble those of Osaka painters centered around Kimura Kenkadō. As for relationships to Osaka, one could mention Rosetsu's profound co
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::83c6e96ef6c4904a482122709387fa3a
https://kansai-u.repo.nii.ac.jp/records/12602
https://kansai-u.repo.nii.ac.jp/records/12602
Publikováno v:
関西大学東西学術研究所紀要. 51:3-14
Tanomura Chikuden (1777-1835), who had connections with present-day Suita City, made his home at Suita Village in his later years, eventually passing away during travel to the city of Osaka. The Nakanshi Residence, located on the Kishibe, Suita City
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::bc729fac43878d26ab2ceab28b55c442
https://kansai-u.repo.nii.ac.jp/records/2063
https://kansai-u.repo.nii.ac.jp/records/2063
Publikováno v:
文化交渉 : 東アジア文化研究科院生論集 : journal of the Graduate School of East Asian Cultures. 7:25-40
This article discusses the artwork of the Edo Period painter Fukuhara Gogaku (1730-1799), a well-known disciple of Ike Taiga, who was particularly famous for his portraiture. Gogaku also played an active role in the artistic circles of Osaka. It is r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::61c37cfb8b8f0cc239d9dbbdf24d044e
https://kansai-u.repo.nii.ac.jp/records/12747
https://kansai-u.repo.nii.ac.jp/records/12747
Publikováno v:
関西大学東西学術研究所紀要. 49:7-37
The paintings of Kimura Kenkado（1736‒1802） were influenced by a variety of both Japanese and Chinese artists, and his work from his earliest days to his final years can be thought of as an ongoing research project. It is clear that its core was
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::34416d14c50053a93d40790176c753bd
https://kansai-u.repo.nii.ac.jp/records/1991
https://kansai-u.repo.nii.ac.jp/records/1991
Publikováno v:
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies. 6:27-41
This paper discusses artistic modification and the cultural relationship of the traditional Japanese style of paintings compared with those of the East Asian world including China by presenting, as an example, some humorous pictures (called "Giga" in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::bc6877f4abaca671700e2f43b7ac567d
https://kansai-u.repo.nii.ac.jp/records/12374
https://kansai-u.repo.nii.ac.jp/records/12374
Autor:
Hashidume, Setsuya
Publikováno v:
待兼山論叢. 美学篇. 42:1-28
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=jairo_______::85199ab2e0eef73724db6c74622a16a2
https://hdl.handle.net/11094/9673
https://hdl.handle.net/11094/9673